Publications
Agency
Wöllner, C. “Agency”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 30-32.
Anticipated sonic actions and sounds in performance
Wöllner, Clemens. “Anticipated sonic actions and sounds in performance”. The Oxford handbook of sound and imagination. Hg. M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard. 2. New York: Oxford University Press, 2019 http://doi.org/10.1093/oxfordhb/9780190460242.013.44
Attentional flexibility and memory capacity in conductors and pianists
Wöllner, C. & Halpern, A. “Attentional flexibility and memory capacity in conductors and pianists”. Attention, Perception, & Psychophysics 78(1). (2016): S. 198-208.http://link.springer.com/article/10.3758%2Fs13414-015-0989-z
Audience responses in the light of perception-action theories of empathy
Wöllner, C. “Audience responses in the light of perception-action theories of empathy”. Music and empathy. Hg. E. King & C. Waddington. New York: Routledge, 2017, S. 139-156. https://www.routledge.com/Music-and-Empathy/King-Waddington/p/book/9781472445803
Audio-visual quality perception in musical performance videos
Hammerschmidt, D. & Wöllner, C. “Audio-visual quality perception in musical performance videos”. Jahrbuch Musikpsychologie 28. (2017): S. 112-127.
Body, sound, and space in music and beyond. Multimodal explorations
Wöllner, C. (Hg.). Body, sound, and space in music and beyond. Multimodal explorations. Abingdon, New York: Routledge, 2017.
Call and Response: Musical and bodily interactions in dyadic jazz improvisation
Wöllner, C. “Call and Response: Musical and bodily interactions in dyadic jazz improvisation”. Musicae Scientiae Online First. (2018) https://doi.org/10.1177%2F1029864918772004
Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts
Sevdalis, V. & Wöllner, C. “Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts”. Performance psychology. Perception, action, cognition, and emotion. Hg. M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde. Amsterdam: Academic Press/Elsevier, 2016, S. 223-234. http://store.elsevier.com/Performance-Psychology/isbn-9780128033777/
Conducting
Wöllner, C. “Conducting”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 246-250.
Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen
Albrecht, H. & Wöllner, C. “Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 89–90.
Evaluation von Bewegungssonifikationen musikalischer Gesten
Hohagen, J. & Wöllner, C. “Evaluation von Bewegungssonifikationen musikalischer Gesten”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 12–13.
Eye movements in film perception: The impact of emotional music and playback speed
Hammerschmidt, D. & Wöllner, C. “Eye movements in film perception: The impact of emotional music and playback speed”. International Conference of Music Perception and Cognition and European Conference of the Cognitive Sciences of Music, 23–28 July 2018, Karl-Franzens-Universität Graz (2018)
Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks
Wöllner, C. “Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks”. Acta Psychologica 143. (2013): S. 79-87.https://doi.org/10.1016/j.actpsy.2013.02.012
Gestural qualities in music and outward bodily responses
Wöllner, C. & Hohagen, J. “Gestural qualities in music and outward bodily responses”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 69-88. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
How to quantify individuality in music performance? Studying artistic expression with averaging procedures.
Wöllner, C. “How to quantify individuality in music performance? Studying artistic expression with averaging procedures.”. Frontiers in Cognitive Science 4(361). (2013) https://doi.org/10.3389/fpsyg.2013.00361
Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung
Wöllner, C. “Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung”. DirigentenBilder. Musikalische Gesten – verkörperte Musik. Hg. A. Stollberg, J. Weißenfeld & F.H. Besthorn. Basel: Schwabe, 2015, S. 213-232.
Interpretation und Reproduktion
Kopiez, R. & Wöllner, C. “Interpretation und Reproduktion”. Handbuch Musikpsychologie. Hg. A.C. Lehmann & R. Kopiez. Göttingen: Hogrefe, 2018, S. 311-340.
Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis
Wöllner, C. “Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis”. Psychology of Aesthetics, Creativity, and the Arts 6(3). (2012): S. 214-233.http://psycnet.apa.org/doi/10.1037/a0027392
Joint actions in a musical duo improvisation: Bodily and acoustical characteristics
Wöllner, C. “Joint actions in a musical duo improvisation: Bodily and acoustical characteristics”. Movementis: International Conference on Movement, Brain, Body and Cognition, 26–29 July 2018, Harvard Medical School, Boston (2018)
Metaphors and embodied meaning in film music: The case of leitmotifs
Albrecht, H. & Wöllner, C. “Metaphors and embodied meaning in film music: The case of leitmotifs”. Embodied metaphors in film, television, and video games: cognitive approaches. Hg. K. Fahlenbrach. New York: Routledge, 2016, S. 145-161. https://www.routledge.com/Embodied-Metaphors-in-Film-Television-and-Video-Games-Cognitive-Approaches/Fahlenbrach/p/book/9781138850835
Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements
Hohagen, J. & Wöllner, C. “Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements”. Proceedings of the 13th Sound & Music Computing Conference (SMC). Hg. R. Großmann & G. Hajdu. Hamburg: ZM4, 2016, S. 222-226. https://zenodo.org/record/851235#.W5eLULh9g2w#.W5eLULh9g2w
Music and slow motion: A study of eye movements in film and video clips
Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J. “Music and slow motion: A study of eye movements in film and video clips”. Conference on Music & Eye-tracking (2017): S. 14–15.
Music with others: Ensembles, conductors, and interpersonal coordination
Wöllner, C. & Keller, P. “Music with others: Ensembles, conductors, and interpersonal coordination”. The Routledge companion to music cognition. Hg. R. Ashley & R. Timmers. New York: Routledge, 2017, S. 313-324.
Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)
Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)”. Proceedings of the 13th Sound & Music Computing Conference (2016): S. V.https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf
Score one for jazz: Working memory in jazz and classical musicians
Nichols, B.E., Wöllner, C., & Halpern, A.R. “Score one for jazz: Working memory in jazz and classical musicians”. Psychomusciology 28(2). (2018): S. 101–107.http://psycnet.apa.org/doiLanding?doi=10.1037%2Fpmu0000211
Self-recognition of highly skilled actions: A study of orchestral conductors
Wöllner, C. “Self-recognition of highly skilled actions: A study of orchestral conductors”. Consciousness and Cognition 21. (2012): S. 1311-1321.http://www.sciencedirect.com/science/article/pii/S1053810012001481
Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses
Wöllner, C., Hammerschmidt, D., & Albrecht, H. “Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses”. PLoS ONE 13(6). (2018) https://doi.org/10.1371/journal.pone.0199161
Speaking with one voice? String quartet members perception of each other’s performances
Structured sounds in bodily and spatial dimensions (Introduction)
Wöllner, C. “Structured sounds in bodily and spatial dimensions (Introduction)”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 1-10. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes
Hammerschmidt, D., & Wöllner, C. “The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes”. Journal of Eye Movement Research 11(2):10. (2018) http://dx.doi.org/10.16910/jemr.11.2.10
The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors
Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E. “The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors”. Journal of Experimental Psychology: Human Perception and Performance 38(6). (2012): S. 1390-1403.http://psycnet.apa.org/doi/10.1037/a0028130
Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].
Busch, V., Schlemmer, K. & Wöllner, C. (Hg.). Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].. Hildesheim: Olms, 2013.