@Article{designperception,
  author   = {Tim Ziemer and Sara Lenzi and Niklas Rönnberg and Thomas Hermann and Roberto Bresin},
  journal  = {J Multimodal User Interfaces},
  title    = {Introduction to the special issue on design and perception of interactive sonification},
  year     = {2023},
  month    = nov,
  number   = {4},
  pages    = {213--214},
  volume   = {17},
  abstract = {Design and perception of sonification can be considered from the viewpoint of psychoacoustics and auditory scene analysis, but also from the viewpoint of aesthetics and user experience. The theme of the Interactive Sonification Workshop (ISon 2022) was “Psychoacoustics in the Loop” [1], underlining the usefulness of sonification for psychoacoustic experiments and the potential of psychoacoustic methods in the sound design and evaluation process of sonification. The theme of the International Conference on Auditory Display (ICAD 2023) was “Sonification for the Masses” [2], pointing towards the necessity of both interpretable and appealing sound design in sonification. The themes of these two major events in the field of sonification and auditory display underline the relevance of Design and perception of interactive sonification.},
  doi      = {10.1007/s12193-023-00425-6},
  url      = {https://doi.org/10.1007/s12193-023-00425-6},
}

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