Publications
2024
Ziemer, Tim. “Numbers, Facts and Methods, State-of-the-Art, Current Trends and Evaluation of Arguable Claims and Statements — A 2024 Overview”. Preprints.org (2024) https://doi.org/10.20944/preprints202312.0138.v1
Ziemer, Tim. “Sound Terminology in Sonification”. Journal of the Audio Engineering Society 72(4). (2024): S. 274-289.https://doi.org/10.17743/jaes.2022.0133
Bader, Rolf. “Modeling Temporal Lobe Epilepsy during Music Large-Scale Form Perception Using the Impulse Pattern Formulation (IPF) Brain Model ”. electronics 13(2). (2024): S. 362.https://doi.org/10.3390/electronics13020362
Martínez Orellanos, Cristhiam Fidel & Bader, Rolf. “Machine Learning-based Analysis of a Physics-Informed Data Set of a Viscoelastic Damped Membrane”. Fortschritte der Akustik — DAGA 2024 (2024): S. 983-986.https://pub.dega-akustik.de/DAGA_2024/files/upload/paper/613.pdf
Xia, Yang & Bader, Rolf. “Machine Learning of Timbre Features for The Western Chinese Free-Reed Instrument Hulusi”. Fortschritte der Akustik — DAGA 2024 (2024): S. 1050-1053.https://pub.dega-akustik.de/DAGA_2024/files/upload/paper/183.pdf
Bader, Rolf. “Guitar spectrum smoothing using metamaterial hollow fans”. Fortschritte der Akustik — DAGA 2024 (2024): S. 134-137.https://pub.dega-akustik.de/DAGA_2024/files/upload/paper/201.pdf
Bader, Rolf, Mischo, Johannes, Gernert, Stefanie & Mischo, Hendrik. “Metamaterial Labyrinth Wall Low-Frequency Sound Absorption Measurements for Restaurant Room Acoustics and Decorative Applications”. Preprints.org 2024. (2024): S. 2024031178.https://doi.org/10.20944/preprints202403.1178.v
Bader, Rolf, Linke, Simon & Gernert, Stefanie . “Nonlinear Impulse Pattern Formulation dynamical social and political prediction algorithm for city planning and public participation”. ArXiv Preprint (2024): S. 14.https://doi.org/10.48550/arXiv.2404.00977
Bader, Rolf. “Neural Coincidence Detection Strategies during Perception of Multi-Pitch Musical Tones”. Applied Sciences 14. (2024): S. paper number: 7446.https://doi.org/10.3390/app14177446
Ziemer, Tim, Hermann, Thomas, McMullen, Kyla & Höldrich, Robert. “Guest Editors' Note -- Special Issue on Sonification”. AES: Journal of the Audio Engineering Society 72(5). (2024): S. 272-273.https://www.aes.org/journal/online/JAES_V72/5/JAES_V72_5_PG272.pdf
Ziemer, Tim. “Results from the CURAT Sonification Game”. International Conference on Auditory Display (ICAD 2024) (2024): S. 42-49.https://doi.org/10.21785/icad2024.007
Linke, Simon & Ziemer, Tim. “SOMson — Sonification of Multidimensional Data in Kohonen Maps”. International Conference on Auditory Display (ICAD 2024) (2024): S. 50-57.https://doi.org/10.21785/icad2024.008
Ziemer, Tim, Kantan, Prithvi Ravi, Chabot, Samuel & Braasch, Jonas (Hg.). Proceedings of the 29th International Conference on Auditory Display (ICAD2024): Sonification / Spatialization. Troy, NY, USA: 2024. https://doi.org/https://doi.org/10.21785/icad2024.000
Bader, Rolf (Hg.). Computergestützte Archivierung von Tonträgern. Cham: Springer, 2024. https://doi.org/10.1007/978-3-031-49640-0
Supratak,Akara, Haddawy, Peter, Yin, Myat Su, Ziemer, Tim, Siritanakorn, Worameth, Assawavinijkulchai, Kanpitcha, Chiamsakul, Kanrawee, Chantanalertvilai, Tharit, Suchalermkul, Wish, Sa-ngamuang, Chaitawat & Sriwichai, Patchara . “MosquitoSong+: A noise-robust deep learning model for mosquito classification from wingbeat sounds”. PLoS ONE 19(10). (2024): S. e0310121.https://doi.org/10.1371/journal.pone.0310121
Ziemer, Tim, Kudakov, Nikita & Reuter, Christoph. “Producer vs. Rapper: Who Dominates the Hip Hop Sound? A Case Study”. ArXiv Preprint (2024) https://doi.org/10.48550/arXiv.2410.21297
2023
Kontopidis, Patrick & Bader, Rolf. “Metamaterial Labyrinth Absorption Frequency and Amplitude Dependency on Additionally attached Plate”. DAGA 2023 - 49. Jahrestagung für Akustik (2023) (2023): S. 1591-1593.https://pub.dega-akustik.de/DAGA_2023/data/index.html
Linke, Simon, Bader, Rolf & Mores, Robert. “Modeling-applications of the Impulse Pattern Formulation (IPF) on musical instruments and beyond”. DAGA 2023 - 49. Jahrestagung für Akustik (2023) (2023): S. 995-998.https://pub.dega-akustik.de/DAGA_2023/data/index.html
Nordblom, Naomi. “Influence of Vocal Tract Constrictions on the Recorder Sound”. DAGA 2023 - 49. Jahrestagung für Akustik (2023) (2023): S. 919-922.https://pub.dega-akustik.de/DAGA_2023/data/index.html
Ziemer, Tim. “Psychoakustische Schallfeldsynthese für Musik. Raum schaffen für Komposition, Aufführung, Akustik und Wahrnehmung”. (2023) https://link.springer.com/book/9783031268625
Rönnberg, Niklas, Lenzi, Sara, Ziemer, Tim, Hermann, Thomas & Bresin, Roberto (Hg.). Psychoacoustics in the Loop. Proceedings of the 7th Interactive Sonification Workshop. Delmenhorst: 2023. https://doi.org/10.5281/zenodo.7552268
Weger, Marian, Ziemer, Tim & Rönnberg, Niklas (Eds.). “Sonification for the Masses: Proceedings of the 28th Annual International Conference on Auditory Display”. International Conference on Auditory Display (ICAD 2023) 28. (2023) https://doi.org/10.21785/icad2023.000
Linke, Simon, Bader, Rolf & Mores, Robert. “Model-based sonification based on the impulse pattern formulation”. Journal on Multimodal User Interfaces 17(4). (2023) https://doi.org/10.1007/s12193-023-00423-8
Ziemer, Tim, Lenzi, Sara, Rönnberg, Niklas, Hermann, Thomas & Bresin, Roberto. “Introduction to the special issue on design and perception of interactive sonification”. Journal on Multimodal User Interfaces 17(4). (2023) https://doi.org/10.1007/s12193-023-00425-6
Alexandraki, Chrisoula, Starakis, Michael, Zervas, Panagiotis & Bader, Rolf. “Inferring Drumhead Damping and Tuning from Sound Using Finite Difference Time Domain (FDTD) Models”. acoustics 5(3). (2023) https://doi.org/10.3390/acoustics5030047
Ziemer, Tim. “Three-dimensional sonification as a surgical guidance tool”. Journal on Multimodal User Interfaces 17(4). (2023) https://doi.org/10.1007/s12193-023-00422-9
Ziemer, Tim. “Three-Dimensional Sonification for Image-Guided Surgery”. International Conference on Auditory Display (ICAD 2023) (2023): S. 8-14.https://doi.org/10.21785/icad2023.2324
Ziemer, Tim. “Mixing Levels — A Rock Music Spirit Level App”. International Conference on Auditory Display (ICAD 2023) (2023): S. 233-235.https://doi.org/10.21785/icad2023.000
Ziemer, Tim. “The Sonic Tilt Competition”. International Conference on Auditory Display (ICAD 2023) (2023): S. 203-206.https://doi.org/10.21785/icad2023.000
Ziemer, Tim. “Goniometers are a Powerful Acoustic Feature for Music Information Retrieval Tasks”. DAGA 2023 - 49. Jahrestagung für Akustik (2023): S. 934-937.https://pub.dega-akustik.de/DAGA_2023/data/articles/000600.pdf [PDF]
2022
Platz, Friedrich, Kopiez, Reinhard, Lehmann, Andreas C. & Wolf, Anna. “Measuring Audiation or Tonal Memory? – Evaluation of the Discriminant Validity of Edwin E. Gordons „Advanced Measures of Music Audiation“”. Music & Science 5. (2022) https://doi.org/10.1177/20592043221105270
Ziemer, Tim. “Visualization vs. Sonification to Level a Table”. Proc. 7th Interactive Sonification Workshop (ISon 2022) (2022): S. 31-36.https://doi.org/10.5281/zenodo.7552217
Yin, Myat Su, Haddawy, Peter, Ziemer, Tim, Wetjen, Fabian, Supratak, Akara, Chiamsakul, Kanrawee, Siritanakorn, Worameth, Chantanalertvilai, Tharit, Sriwichai, Patchara & Sa-ngamuang, Chaitawat. “A deep learning-based pipeline for mosquito detection and classification from wingbeat sounds”. Multimedia Tools and Applications (2022) https://doi.org/10.1007/s11042-022-13367-0
Ziemer, Tim & Mirzayousef, Navid. “Recommendations to Develop, Distribute and Market Sonification Apps”. (2022) https://doi.org/10.21785/icad2022.003
Ziemer, Tim, Wetjen, Fabian & Herbst, Alexander. “The Antenna Base Plays a Crucial Role in Mosquito Courtship Behavior”. Frontiers in Tropical Diseases 3. (2022) https://doi.org/10.3389/fitd.2022.803611
Ziemer, Tim, Schultheis, Holger. “PAMPAS: A PsychoAcoustical Method for the Perceptual Analysis of multidimensional Sonification”. Frontiers in Neuroscience 16. (2022): S. 930-944.https://doi.org/10.3389/fnins.2022.930944
Bader, Rolf. “Long radiation initial transient time (RITT) laser interferometry measurements of a Balinese gender bronze plate”. Proceedings of Meetings on Acoustics (POMA) 49. (2022) https://doi.org/10.1121/2.0001682
Linke, Simon, Mores, Robert & Bader, Rolf. “Describing minimum bow force using Impulse Pattern Formulation (IPF) – an empirical validation”. Proceedings of Meetings on Acoustics (POMA) 49. (2022) https://doi.org/10.1121/2.0001683
Bader, Rolf & Plath, Niko. “Impact of Damping on Oscillation Patterns on the Plain Piano Soundboard”. Acoustics 4(4). (2022): S. 1013-1027.https://doi.org/10.3390/acoustics4040062
Linke, Simon, Bader, Rolf & Mores, Robert. “Multiphonic modeling using Impulse Pattern Formulation (IPF)”. ArXiv Preprint (2022) https://arxiv.org/abs/2201.05452
Ziemer, Tim & Schultheis, Holger. “Both Rudimentary Visualization and Prototypical Sonification can Serve as a Benchmark to Evaluate New Sonification Designs”. Proceedings of the 16th International Audio Mostly Conference (2022) https://doi.org/10.1145/3561212.3561228
Sawicki, Jakub, Hartmann, Lenz, Bader, Rolf & Schöll, Eckehard. “Modelling the perception of music in brain network dynamics”. Frontiers in Network Physiology 2. (2022) https://doi.org/10.3389/fnetp.2022.910920
2021
Platz, Friedrich, Wolf, Anna & Hasselhorn, Johannes. “Lässt sich die Lernwirksamkeit von Musikunterricht durch den Einsatz neuer (digitaler) Medien steigern?”. (2021): S. 82-102.https://doi.org/10.25656/01:21751
Vasconcelos, Dinarte, Yin, Myat Su, Wetjen, Fabian, Herbst, Alexander, Ziemer, Tim, Förster, Anna, Barkowsky, Thomas, Nunes, Nuno & Haddawy, Peter. “Counting Mosquitoes in the Wild: An Internet of Things Approach”. Proceedings of the Conference on Information Technology for Social Good (GoodIT) (2021): S. 43–48.https://doi.org/10.1145/3462203.3475914
Asendorf, Malte, Kienzle, Moritz, Ringe, Rachel,Ahmadi, Fida, Bhowmik, Debaditya, Chen, Jiumeng, Huynh, Kelly, Kleinert, Steffen, Kruesilp, Jatawan, Lee, Ying Ying, Wang, Xin, Luo, Wei, Jadid, Navid Mirzayousef, Awadin, Ahmed, Raval, Varun, Schade, Eve Emily Sophie, Jamam, Hasanur, Sharma, Kashish, Weber, Colin, Winkler, Helena & Ziemer, Tim. “Tiltification – An Accessible App to Popularize Sonification”. The 26th International Conference on Auditory Display (ICAD 2021) (2021): S. 184–191.https://doi.org/10.21785/icad2021.025
Ziemer, Tim & Schultheis, Holger. “The CURAT Sonification Game: Gamification for Remote Sonification Evaluation”. The 26th International Conference on Auditory Display (ICAD 2021) (2021): S. 233–240.https://doi.org/10.21785/icad2021.026
Ahmadi, Fida Mohammad, Asendorf, Malte, Bhowmik, Debaditya, Chen, Jiumeng, Huynh, Kelly, Kienzle, Moritz, Kleinert, Steffen, Kruesilp, Endy Jatawan, Lee, Ying Ying, Luo, Wei, Jadid, Navid Mirzayousef, Awadin, Ahmed, Raval, Varun, Ringe, Rachel, Schade, Eve Emily Sophie, Seam, Hasanur Jaman, Sharma, Kashish, Wang, Xin, Weber, Colin, Winkler, Helena & Ziemer, Tim. “Sonic-Tilt”. Github-Repository (2021) https://doi.org/10.5281/zenodo.5543983
Bader, Rolf. “The music of Northern Myanmar Kachin ethnic group, facing politics, religion, and globalization”. SocArXiv (2021) https://osf.io/preprints/socarxiv/ezr3p/
Linke, Simon, Bader, Rolf & Mores, Robert. “The fretted zither and the influence of a supporting table on its initial transients—An impulse pattern formulation model”. Journal of the Acoustical Society of America (2021) https://doi.org/10.1121/10.0004629
Linke, Simon, Bader, Rolf & Mores, Robert. “Influence of the supporting table on initial transients of the fretted zither: An impulse pattern formulation model”. Proceedings of Meetings on Acoustics (POMA) 43. (2021) https://doi.org/10.1121/2.0001494
Linke, Simon, Bader, Rolf & Mores, Robert. “Modeling synchronization in human musical rhythms using Impulse Pattern Formulation (IPF)”. ArXiv Preprint (2021) https://arxiv.org/abs/2112.03218
Bader, Rolf, Blaß, Michael & Franke, Jonas. “Computational timbre and tonal system similarity analysis of the music of Northern Myanmar-based Kachin compared to Xinjiang-based Uyghur ethnic groups”. ArXiv Preprint (2021) https://arxiv.org/abs/2103.08203
Bader, Rolf. “How Music Works. A Physical Culture Theory”. (2021) https://doi.org/10.1007/978-3-030-67155-6
Bader, Rolf, Zielke, Axel & Franke, Jonas. “Timbre-based machine learning of clustering Chinese and Western Hip Hop music”. Audio Engineering Society Convention 150. (2021) http://www.aes.org/e-lib/browse.cfm?elib=21066
Pauli, Theresa & Bader, Rolf. “Analysis and perception of a viscoelastic, frequency-dependent Finite-Difference Time Domain damping model of a drum”. Journal of the Acoustical Society of America 149(4). (2021): S. A122.https://doi.org/10.1121/10.0004725
2020
Ziemer, Tim. Psychoacoustic Music Sound Field Synthesis - Creating Spaciousness for Composition, Performance, Acoustics and Perception. Current Reseach in Systematic Musicology, 7. Cham: Springer, 2020. http://doi.org/10.1007/978-3-030-23033-3
Vajsbaher, Tina, Ziemer, Tim & Schultheis, Holger. “A multi-modal approach to cognitive training and assistance in minimally invasive surgery”. Cognitive Systems Research 64. (2020): S. 57–72.Cognitive Systems Research
Fischer, Jost Leonhardt, Blass Michael, Plath Niko. “Computational Phonogram Archiving: a generic framework for knowledge discovery in music archives”. 73(12) 50. (2020) https://doi.org/10.1063/PT.3.4636
Ziemer, Tim, Plath, Niko. “Microphone and Loudspeaker Array Signal Processing Steps towards a ‘Radiation Keyboard’ for Authentic Samplers”. Applied Sciences 10(7). (2020) http://doi.org/10.3390/app10072333
Ziemer, Tim, Kiattipadungkul, Pattararat & Karuchit, Tanyarin. “Novel Recording Studio Features for Music Information Retrieval”. Proceedings of Meetings on Acoustics (POMA) 42(1). (2020) https://doi.org/10.1121/2.0001363
Ziemer, Tim, Nuchprayoon, Nuttawut & Schultheis, Holger. “Psychoacoustic Sonification as User Interface for Human-Machine Interaction”. International Journal of Informatics Society 12(1). (2020): S. 3-16.http://www.infsoc.org/journal/vol12/12-1
Ziemer, Tim, Schultheis, Holger, Höring, Thomas, Meirose, Lukas, Vajsbaher, Tina, Kellmann, Patrick, Tauritis, Daniel, Mönig, Sven Daniel, Sauer, Dominik, Kathmann, Hannah, Carsten-Frerichs, Jared, Ehrhardt, Leon & Gels, Tobias. “CURAT Sonification Game”. Google Play Store (2020) http://play.google.com/store/apps/details?id=com.University_Bremen.Curat
Fischer, Jost Leonhardt, Blass Michael, Plath Niko. “Computational Phonogram Archiving: a generic framework for knowledge discovery in music archives”. Physics Today 73(12). (2020): S. 50-55.https://doi.org/10.1063/PT.3.4636
Bader, Rolf, Gernert, Stefanie & Mischo, Johannes. “Metamaterial labyrinth wall for very low and broad-band sound absorption”. Researchgate Preprint (2020) Researchgate [PDF]
Bader, Rolf. “Neural coincidence detection strategies during perception of multi-pitch musical tones”. ArXiv Preprint (2020) https://arxiv.org/abs/2001.06212
Hartmann, Lenz & Bader, Rolf. “Neural synchronization of music large-scale form”. ArXiv Preprint (2020) https://arxiv.org/abs/2005.06938
2019
Stirnat, Claudia & Ziemer, Tim. “Spaciousness in Music: the Tonmeister’s Intention and the Listener’s Perception”. KLG 2017. klingt gut! 2017 – international Symposium on Sound 1. (2019): S. 42-51.http://doi.org/10.29007/nv93
Schultheis, Holger, Vajsbaher, Tina & Ziemer, Tim. “Cognitive Surgical Assistance in Minimally-Invasive Intervention”. 8. Interdisziplinären Workshops zu Kognitiven Systemen (2019): S. 12-13.
Ismailogullari, Abdullah & Ziemer, Tim. “Soundscape Clock - Soundscape Compositions that Display the Time of the Day”. 25th International Conference on Auditory Display (ICAD2019) (2019) http://doi.org/10.21785/icad2019.034
Ziemer, Tim & Schultheis, Holger. “Psychoacoustical Signal Processing for Three-Dimensional Sonification”. 25th International Conference on Auditory Display (ICAD2019) (2019) http://doi.org/10.21785/icad2019.018
Schwarz, Sebastian & Ziemer, Tim. “A Psychoacoustic Sound Design for Pulse Oximetry”. 25th International Conference on Auditory Display (ICAD2019) (2019) http://doi.org/10.21785/icad2019.024
Neuhaus, Christiane. ““You should praise”–“You should kill”: The contingent negative variation indicates moral goodness and badness”. Frontiers in Human Neuroscience 13. (2019) https://doi.org/10.3389/fnhum.2019.00432
Linke, Simon, Bader, Rolf & Mores, Robert. “The impulse pattern formulation (IPF) as a model of musical instrument — Investigation of stability and limits”. Chaos: An Interdisciplinary Journal of Nonlinear Science 29(10). (2019) https://doi.org/10.1063/1.5092511
Linke, Simon, Bader, Rolf & Mores, Robert. “The Impulse Pattern Formulation (IPF) as a nonlinear model of musical instruments”. International Symposium on Music Acoustics (ISMA 2019) (2019): S. 349-358.http://pub.dega-akustik.de/ISMA2019/data/index.html
Wöllner, Clemens. “Anticipated sonic actions and sounds in performance”. The Oxford handbook of sound and imagination. Hg. M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard. 2. New York: Oxford University Press, 2019 http://doi.org/10.1093/oxfordhb/9780190460242.013.44
Plath, Niko. “3D Imaging of Musical Instruments: Methods and Applications”. Computational Phonogram Archiving. Hg. Rolf Bader. 5. Cham: Springer, 2019, S. 321-334. http://doi.org/10.1007/978-3-030-02695-0_15
Fischer, Jost Leonhardt. “Shock Wave Characteristics in the Initial Transient of an Organ Pipe”. Computational Phonogram Archiving pp. 269-304. 1. Hg. Rolf Bader. Computational Phonogram Archiving. Springer, 2019, S. pp 269-304. http://dx.doi.org/10.1007/978-3-030-02695-0
Fischer, Jost Leonhardt. “On the Dynamics of the Flow and the Sound Field of an Organ Pipes's Mouth Region”. (2019) https://arxiv.org/abs/1912.06484
Bader, Rolf. “Computational Phonogram Archiving”. 5. (2019) https://doi.org/10.1007/978-3-030-02695-0
Schultheis, Holger, Ziemer, Tim & Vajsbaher, Tina. “Cognitive Surgical Assistance in Minimally-Invasive Interventions”. 8. Interdisziplinären Workshops zu Kognitiven Systemen (2019) https://www.researchgate.net/publication/332901260_Cognitive_Surgical_Assistance_in_Minimally-Invasive_Interventions
Ziemer, Tim, Höring, Thomas, Meirose, Lukas & Schultheis, Holger. “Monophonic Sonification for Spatial Navigation”. IWIN (International Workshop on Informatics) (2019) http://www.infsoc.org/conference/iwin2019/download/IWIN2019-Proceedings.pdf#page=95
Ziemer, Tim & Schultheis, Holger. “Psychoakustische Sonifikation zur Navigation in Bildgeführter Chirurgie”. (2019): S. 347–358.http://doi.org/10.25366/2020.42
Bader, Rolf. “Computational Music Archiving as Physical Culture Theory”. 5. (2019): S. 3-34.https://doi.org/10.1007/978-3-030-02695-0_1
Bader, Rolf. “Temperament in tuning systems of southeast asia and ancient india”. 5. (2019): S. 75-107.https://doi.org/10.1007/978-3-030-02695-0_3>
Franke, Jonas. “Requirements and Use Cases for Digital Sound Archives in Ethnomusicology”. 5. (2019) https://doi.org/10.1007/978-3-030-02695-0_11
Blaß, Michael & Bader, Rolf. “Content-Based Music Retrieval and Visualization System for Ethnomusicological Music Archives”. 5. (2019): S. 145-173.10.1007/978-3-030-02695-0_7
Plath, Niko. “From Workshop to Concert Hall : Acoustic Observations on a Grand Piano under Construction”. (2019) https://ediss.sub.uni-hamburg.de/handle/ediss/6308
Bader, Rolf, Fischer, Jost, Münster, Malte, Kontopidis, Patrick. “Metamaterials in Musical Acoustics”. Proceedings of ISMA 2019, International Symposium on Music Acoustics (2019): S. 432-449.http://pub.dega-akustik.de/ISMA2019/data/articles/000045.pdf
Bader, Rolf, Fischer, Jost, Münster, Malte, Kontopidis, Patrick. “Metamaterials in musical acoustics: A modified frame drum”. Journal of the Acoustical Society of America 145(5). (2019): S. 3086-3094.https://doi.org/10.1121/1.5102168
Bader, Rolf; Fischer, Jost Leonhardt; Münster, Malte; Kontopidis, Patrick. “Metamaterials in musical acoustics: A modified frame drum”. The Journal of the Acoustical Society of America Vol. 145, Issue 3. (2019): S. pp. 1709.https://doi.org/10.1121/1.5101271
Ziemer, Tim & Schultheis, Holger. “Three orthogonal dimensions for psychoacoustic sonification”. ArXiv Preprint (2019) https://doi.org/10.48550/arXiv.1912.00766
Ziemer, Tim & Schultheis, Holger. “Psychoacoustic auditory display for navigation: an auditory assistance system for spatial orientation tasks”. Journal on Multi-Modal User Interfaces 13(3). (2019): S. 205-218.Free View http://doi.org/10.1007/s12193-018-0282-2
2018
Ziemer, Tim & Schultheis, Holger. “A Psychoacoustic Auditory Display for Navigation”. 24th International Conference on Auditory Display (ICAD2018) (2018): S. 136-144.http://doi.org/10.21785/icad2018.007
Ziemer, Tim. “Wave Field Synthesis”. Springer Handbook of Systematic Musicology. Hg. Rolf Bader. Springer Handbooks, Berlin, Heidelberg: Springer, 2018, S. 329-347. http://doi.org/10.1007/978-3-662-55004-5_18
Ziemer, Tim & Schultheis, Holger. “Perceptual Auditory Display for Two-Dimensional Short-Range Navigation (Abstract)”. (2018) http://2018.daga-tagung.de/fileadmin/2018.daga-tagung.de/programm/Feb_16_Programmheft.pdf
Ziemer, Tim, Schultheis, Holger, Black, David & Kikinis, Ron. “Psychoacoustical Interactive Sonification for Short-Range Navigation”. Acta Acustica United With Acustica 104(6). (2018): S. 1075-1093.http://doi.org/10.3813/AAA.919273
Ziemer, Tim & Schultheis, Holger. “Perceptual Auditory Display for Two-Dimensional Short-Range Navigation”. Fortschritte der Akustik - DAGA 2018 (2018): S. 1094-1096.https://www.dega-akustik.de/publikationen/online-proceedings/
Wöllner, C. “Joint actions in a musical duo improvisation: Bodily and acoustical characteristics”. Movementis: International Conference on Movement, Brain, Body and Cognition, 26–29 July 2018, Harvard Medical School, Boston (2018)
Nichols, B.E., Wöllner, C., & Halpern, A.R. “Score one for jazz: Working memory in jazz and classical musicians”. Psychomusciology 28(2). (2018): S. 101–107.http://psycnet.apa.org/doiLanding?doi=10.1037%2Fpmu0000211
Wöllner, C., Hammerschmidt, D., & Albrecht, H. “Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses”. PLoS ONE 13(6). (2018) https://doi.org/10.1371/journal.pone.0199161
Hammerschmidt, D., & Wöllner, C. “The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes”. Journal of Eye Movement Research 11(2):10. (2018) http://dx.doi.org/10.16910/jemr.11.2.10
Wöllner, C. “Call and Response: Musical and bodily interactions in dyadic jazz improvisation”. Musicae Scientiae Online First. (2018) https://doi.org/10.1177%2F1029864918772004
Kopiez, R. & Wöllner, C. “Interpretation und Reproduktion”. Handbuch Musikpsychologie. Hg. A.C. Lehmann & R. Kopiez. Göttingen: Hogrefe, 2018, S. 311-340.
Hammerschmidt, D. & Wöllner, C. “Eye movements in film perception: The impact of emotional music and playback speed”. International Conference of Music Perception and Cognition and European Conference of the Cognitive Sciences of Music, 23–28 July 2018, Karl-Franzens-Universität Graz (2018)
Bader, Rolf (Hg.). Springer Handbook of Systematic Musicology. Springer Handbooks, Berlin, Heidelberg: Springer, 2018. http://doi.org/10.1007/978-3-662-55004-5
Bader, Rolf. “Musical Instruments as Synchronized Systems”. Springer Handbook of Systematic Musicology. Hg. Rolf Bader. Springer Handbooks, Berlin, Heidelberg: Springer, 2018, S. 171-196. http://doi.org/10.1007/978-3-662-55004-5_10
Bader, Rolf. “Cochlear spike synchronization and neuron coincidence detection model”. Chaos 28(2). (2018): S. Paper-Number: 023105.http://doi.org/10.1063/1.5011450
Michael Blaß & Rolf Bader. “Content-based Music Retrieval System for Ethnomusicological Sound Archives”. 52nd Annual Conference of the Association for Recorded Sound Collections (ARSC) (2018)
Plath, Niko & Preller, Katharina. “Early Development Process of the Steinway & Sons Grand Piano Duplex Scale”. Wooden Musical Instruments - Different Forms of Knowledge. Book of End of WoodMusICK COST Action FP1302 (2018)
Bader, Rolf, Plath, Niko & Pfeifle, Florian. “Impact of internal damping on forced vibrations of piano soundboards”. The Journal of the Acoustical Society of America 143(3). (2018): S. 3317.http://doi.org/10.1121/1.4970565
Fischer, Jost Leonhardt & Bader, Rolf. “Switch of synchronization states of aeroacoustical coupled organ pipes”. The Journal of the Acoustical Society of America 143 (1908). (2018): S. 1908.https://doi.org/10.1121/1.5036214
Fischer, Jost Leonhardt. “Digital Intelligence Organology (DIO): Physical Modelling of Musical Instruments”. KONFERENZBAND | PROCEEDINGS EVA BERLIN 2018 Elektronische Medien & Kunst, Kultur und Historie (2018): S. 73-78.https://www.eva-berlin.de/wp-content/uploads/2018/11/EVA_2018_Konferenzband_elektronisch.pdf
Bader, Rolf & Mores, Robert. “Cochlear detection of double-slip motion in cello bowing”. ArXiv Preprint 1804.05695. (2018) https://arxiv.org/abs/1804.05695
2017
Stirnat, Claudia & Ziemer, Tim. “Räumlichkeit in Musik: Empfehlung in der Literatur, Umsetzung in der Praxis und Wahrnehmung beim Hörer”. 33. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2017): S. 137.http://doi.org/10.13140/RG.2.2.27074.68804
Black, David, Ziemer, Tim, Rieder, Christian, Hahn, Horst & Kikinis, Ron. “Auditory Display for Supporting Image-Guided Medical Instrument Navigation in Tunnel-like Scenarios”. Proceedings of the 3rd Conference on Image-Guided Interventions & Fokus Neuroradiologie (IGIC) (2017)
Ziemer, Tim & Black, David. “Psychoacoustically motivated sonification for surgeons”. International Journal of Computer Assisted Radiology and Surgery (Suppl 1):1. (2017): S. 265-266.https://link.springer.com/article/10.1007/s11548-017-1588-3
Ziemer, Tim. “Perceptually motivated sound field synthesis for music presentation”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3997.http://doi.org/10.1121/1.4989162
Böhlke, Leonie & Ziemer, Tim. “Perception of a virtual violin radiation in a wave field synthesis system (Abstract)”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3875.http://doi.org/10.1121/1.4988669
Ziemer, Tim, Black, David & Schultheis, Holger. “A Psychoacoustic Review of Auditory Displays in the OR”. 16. Jahrestagung der Deutschen Gesellschaft für Computer- und Roboterassistierte Chirurgie e.V. (2017) https://www.researchgate.net/publication/320958966_A_Psychoacoustic_Review_of_Auditory_Displays_in_the_OR_Precis
Ziemer, Tim. “Perceptual sound field synthesis concept for music presentation”. Proceedings of Meetings on Acoustics (POMA) 30(1). (2017): S. Paper-Number: 015016.http://doi.org/10.1121/2.0000661
Böhlke, Leonie & Ziemer, Tim. “Perceptual evaluation of violin radiation characteristics in a wave field synthesis system”. Proceedings of Meetings on Acoustics (POMA) 30(1). (2017): S. Paper-Number: 035001.http://doi.org/10.1121/2.0000524
Ziemer, Tim & Black, David. “Psychoacoustic sonification for tracked medical instrument guidance (Abstract)”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3694. http://doi.org/10.1121/1.4988051
Ziemer, Tim. “Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis”. Studies in Musical Acoustics and Psychoacoustics. Hg. Albrecht Schneider. Current Research in Systematic Musicology, Cham: Springer, 2017, S. 299-340. http://doi.org/10.1007/978-3-319-47292-8_10
Ziemer, Tim & Bader, Rolf. “Psychoacoustic Sound Field Synthesis for Musical Instrument Radiation Characteristics”. Journal of the Audio Engineering Society 65(6). (2017): S. 482-496.http://doi.org/10.17743/jaes.2017.0014
Ziemer, Tim. “Two-dimensional psychoacoustic sonification”. 33. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2017): S. 60-61.https://www.researchgate.net/publication/319778727_Two-dimensional_psychoacoustic_sonification
Ziemer, Tim, Black, David & Schultheis, Holger. “Psychoacoustic sonification design for navigation in surgical interventions”. Proceedings of Meetings on Acoustics (POMA) 30(1) 30(1). (2017): S. Paper-Number: 050005.http://doi.org/10.1121/2.0000557
Wöllner, C. (Hg.). Body, sound, and space in music and beyond. Multimodal explorations. Abingdon, New York: Routledge, 2017.
Wöllner, C. & Keller, P. “Music with others: Ensembles, conductors, and interpersonal coordination”. The Routledge companion to music cognition. Hg. R. Ashley & R. Timmers. New York: Routledge, 2017, S. 313-324.
Hammerschmidt, D. & Wöllner, C. “Audio-visual quality perception in musical performance videos”. Jahrbuch Musikpsychologie 28. (2017): S. 112-127.
Wöllner, C. “Structured sounds in bodily and spatial dimensions (Introduction)”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 1-10. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
Wöllner, C. & Hohagen, J. “Gestural qualities in music and outward bodily responses”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 69-88. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
Wöllner, C. “Audience responses in the light of perception-action theories of empathy”. Music and empathy. Hg. E. King & C. Waddington. New York: Routledge, 2017, S. 139-156. https://www.routledge.com/Music-and-Empathy/King-Waddington/p/book/9781472445803
Albrecht, H. & Wöllner, C. “Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 89–90.
Hohagen, J. & Wöllner, C. “Evaluation von Bewegungssonifikationen musikalischer Gesten”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 12–13.
Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J. “Music and slow motion: A study of eye movements in film and video clips”. Conference on Music & Eye-tracking (2017): S. 14–15.
Michael Blaß & Rolf Bader. “Content-based Music Retrieval And Visualisation System for Ethnomusicological Sound Archives”. International Symposium on Computational Ethnomusicological Archiving (2017)
Plath, Niko & Kirsch, Sebastian. “Post-Processing of Musical Instrument 3D Computed Tomography Data for Conservational Applications”. Preservation of Wooden Musical Instruments - 4th Annual Conference COST FP1302 WoodMusICK (2017): S. 161-164.WoodMusICK Proceedings
Poulopoulos, Panagiotis and Pamplona, Marisa and Richter, Luise & Plath, Niko. “Conservation Issues on Historical Pedal Harps: Preserving Tangible and Intangible Properties”. Preservation of Wooden Musical Instruments - 4th Annual Conference COST FP1302 WoodMusICK (2017) WoodMusICK Proceedings
Kirsch, Sebastian & Plath, Niko. “Post-Processing Methods for 3D-Computed Tomography Data of Musical Instruments”. 3D Imaging of Cultural Heritage. Hg. British Museum. London: 2017
Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Radiation Characteristics of Grand Piano Soundboards in Different Stages of Production”. Proceedings of the 2017 International Symposium on Musical Acoustics (ISMA) (2017): S. 18-22.https://isma2017.cirmmt.mcgill.ca/proceedings/pdf/ISMA2017_Proceedings.pdf
Fischer, Jost Leonhardt. “Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe”. Studies in Musical Acoustics and Psychoacoustics. 1. Studies in Musical Acoustics and Psychoacoustics pp 109-142. Springer, 2017, S. pp 109-142. http://dx.doi.org/10.1007/978-3-319-47292-8
Fischer, Jost Leonhardt & Bader, Rolf. “Numerical simulations of the turbulent flow and the sound field of the Turkish ney end-blown flute”. The Journal of the Acoustical Society of America 141 (3960). (2017): S. 3960.https://doi.org/10.1121/1.4989009
Fischer, Jost Leonhardt & Bader, Rolf. “Numerical Simulations of Transverse Modes in the Initial Transient of an Organ Pipe”. ISMA Proceedings, Montreal, Canada 2017 (2017) http://dx.doi.org/10.1007/978-3-319-47292-8
2016
Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology”. Proceedings of the Sound and Music Computing Conference (SMC) (2016): S. v.https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf
Ziemer, Tim, Yu, Yi & Tang, Suhua. “Using Psychoacoustic Models for Sound Analysis in Music”. FIRE '16 Proceedings of the 8th annual meeting of the Forum on Information Retrieval Evaluation (2016): S. 1-7.http://doi.org/10.1145/3015157.3015158
Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)”. Proceedings of the 13th Sound & Music Computing Conference (2016): S. V.https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf
Wöllner, C. & Halpern, A. “Attentional flexibility and memory capacity in conductors and pianists”. Attention, Perception, & Psychophysics 78(1). (2016): S. 198-208.http://link.springer.com/article/10.3758%2Fs13414-015-0989-z
Hohagen, J. & Wöllner, C. “Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements”. Proceedings of the 13th Sound & Music Computing Conference (SMC). Hg. R. Großmann & G. Hajdu. Hamburg: ZM4, 2016, S. 222-226. https://zenodo.org/record/851235#.W5eLULh9g2w#.W5eLULh9g2w
Albrecht, H. & Wöllner, C. “Metaphors and embodied meaning in film music: The case of leitmotifs”. Embodied metaphors in film, television, and video games: cognitive approaches. Hg. K. Fahlenbrach. New York: Routledge, 2016, S. 145-161. https://www.routledge.com/Embodied-Metaphors-in-Film-Television-and-Video-Games-Cognitive-Approaches/Fahlenbrach/p/book/9781138850835
Sevdalis, V. & Wöllner, C. “Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts”. Performance psychology. Perception, action, cognition, and emotion. Hg. M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde. Amsterdam: Academic Press/Elsevier, 2016, S. 223-234. http://store.elsevier.com/Performance-Psychology/isbn-9780128033777/
Alexandraki, Chrisoula & Bader, Rolf. “Anticipatory Networked Communications for Live Musical Interactions of Acoustic Instruments”. Journal of New Music Research 45(1). (2016): S. 68-85.http://doi.org/10.1080/09298215.2015.1131990
Michael Blaß. “Classifying Ethnographic Sound Archives (Abstract)”. Symposium Towards a World Music Theory (2016)
Haag, Volker & Plath, Niko. “Influence of Different Bridge Timbers on the Resonance Behavior of Acoustic Guitars in the Traditional Maccaferri Design”. Proceedings of the 3rd Annual COST FP1302WoodMusICK Conference (2016)
Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Driving Point Mobilities of a Concert Grand Piano Soundboard in Different Stages of Production”. Proceedings of the 3rd Annual COST FP1302WoodMusICK Conference (2016)
Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Vibrational behaviour of concert grand piano soundboards in different stages of production”. 5th Joint meeting of the Acoustical Society of America and the Acoustical Society of Japan (2016)
Fischer, Jost Leonhardt & Bader, Rolf & Abel, Markus. “Aeroacoustical coupling and synchronization of organ pipes”. The Journal of the Acoustical Society of America 140(4). (2016): S. 2344-2351.http://doi.org/10.1121/1.4964135
Fischer, Jost Leonhardt, Bader, Rolf & Abel, Markus. “Aeroacoustical coupling and synchronization of organ pipes”. Journal of the Acoustical Society of America 140(4). (2016): S. 2344-2351.https://doi.org/10.1121/1.4964135
2015
Blaß, Michael & Ziemer, Tim. “Blowing Pressure Dependent Synchronization in the Zummâra”. Proceedings of the 8th International Conference of Students of Systematic Musicology (SysMus15) (2015)
Ziemer, Tim. “Exploring Physical Parameters Explaining the Apparent Source Width of Direct Sound of Musical Instruments”. 31. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2015): S. 40-41.https://www.researchgate.net/publication/304496623_Exploring_Physical_Parameters_Explaining_the_Apparent_Source_Width_of_Direct_Sound_of_Musical_Instruments
Ziemer, Tim & Bader, Rolf. “Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System”. Audio Engineering Society Convention 139 (2015): S. Paper-Number: 9466.http://www.aes.org/e-lib/browse.cfm?elib=18022
Ziemer, Tim & Bader, Rolf. “Complex point source model to calculate the sound field radiated from musical instruments”. Proceedings of Meetings on Acoustics (POMA) 25(1). (2015): S. Paper-Number: 035001.http://doi.org/10.1121/2.0000122
Ziemer, Tim. “Simulating the lateral line with low-frequency nearfield acoustic holography based on a vector hydrophone array for short-range navigation in littoral waters (Abstract)”. The Journal of the Acoustical Society of America 138(3). (2015): S. 1897.http://doi.org/10.1121/1.4933959
Ziemer, Tim & Bader, Rolf. “Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System (Abstract)”. Journal of the Audio Engineering Society 63(12). (2015): S. 1094.http://www.aes.org/journal/online/JAES_V63/12/
Ziemer, Tim. “Localizing Swimming Objects in Noisy Environments by Applying Nearfield Acoustic Holography and Minimum Energy Method”. ASME 34th International Conference on Ocean, Offshore and Arctic Engineering OMAE2015 (2015): S. Paper-Number: OMAE2015-41733.http://doi.org/10.1115/OMAE2015-41733
Ziemer, Tim. Implementation of the radiation characteristics of musical instruments in wave field synthesis applications. Hamburg: Univ. Hamburg Diss., 2015. http://ediss.sub.uni-hamburg.de/volltexte/2016/7939/
Ziemer, Tim. “Spatial Sound Impression and Precise Localization by Psychoacoustic Sound Field Synthesis”. DEGA FAMA 2015 (2015) https://www.dega-akustik.de/fachausschuesse/ma/dokumente/tagungsband-seminar-fama-2015/
Wöllner, C. “Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung”. DirigentenBilder. Musikalische Gesten – verkörperte Musik. Hg. A. Stollberg, J. Weißenfeld & F.H. Besthorn. Basel: Schwabe, 2015, S. 213-232.
Michael Blaß, Tim Ziemer. “Blowing pressure dependent synchronization in the Zummâra”. Proceedings of the International Conference of Students of Systematic Musicology (SysMus15) (2015)
Michael Blaß. “Grundstein einer klangfarbenorientierten Rhythmustheorie (Talk)”. Niedersächsischer Studientag Musikwissenschaft (2015)
Michael Blaß. “A graphical representation of mutual influence in contemporary punk rock”. PUNK NOW!! The 2nd Punk Scholars Network Annual Conference and postgraduate symposium (2015)
Michael Blaß & Christian Koehn. “Von Kolonialpolitik zu rechnergestützter Musikforschung - Die Wilhelm-Heinitz-Sammlung traditioneller Musik an der Universität Hamburg. Ein historischer und methodologischer Überblick”. Berichte aus dem Nationalkommitee Deutschland im ICTM. Hg. Dorit Klebe & Klaus Näumann. 23. Freiburg, Germany: Shaker, 2015
Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Microphone array measurements of the grand piano”. Proceedings of the Third Vienna Talk on Music Acoustics (2015): S. 161.
Pfeifle, Florian & Bader, Rolf. “Real-Time Finite-Difference Method Physical Modeling of Musical Instruments Using Field-Programmable Gate Array Hardware”. Journal of the Audio Engineering Society 63(12). (2015): S. 1001-1016.http://www.aes.org/e-lib/browse.cfm?elib=18058
Bader, Rolf, Pfeifle, Florian, Plath, Niko, Koehn, Christian. “Measurements of friction instruments with high-speed camera and subpixel tracking”. Acoustical Society of America, 170th Meeting (2015)
2014
Ziemer, Tim. “Sound Radiation Characteristics of a Shakuhachi with different Playing Techniques”. Proceedings of the International Symposium on Musical Acoustics (ISMA) (2014): S. 549-555.http://www.conforg.fr/isma2014/cdrom/data/articles/000121.pdf
Ziemer, Tim. “Towards a Lateral Line Sensor to Supplement Sonar in Shallow Water”. ASME 33th International Conference on Ocean, Offshore and Arctic Engineering OMAE2014 (2014): S. V007T05A011; 8 pages.http://doi.org/10.1115/OMAE2014-23624
Ziemer, T.. “Sound Radiation Characteristics of a Shakuhachi with different Playing Techniques”. Proceedings of the International Symposium on Musical Acoustics (2014): S. 549-555.ISMA 2014 Le Mans
Wöllner, C. “Conducting”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 246-250.
Wöllner, C. “Agency”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 30-32.
Bader, Rolf. “Microphone Array”. Springer Handbook of Acoustics. 2. Hg. Thomas D. Rossing. Springer Handbooks, Berlin, Heidelberg: Springer, 2014, S. 1179-1207. http://doi.org/10.1007/978-1-4939-0755-7_29
Michael Blaß. “Timbre-based Rhythm Analysis”. Proceedings of the International Conference of Students of Systematic Musicology (SysMus14) (2014) http://journals.gold.ac.uk/index.php/sysmus14/article/view/224
Plath, Niko. “Acoustical Analysis of the Mexican Vihuela”. Proceedings of the International Symposium on Musical Acoustics (ISMA) (2014): S. 493-497.http://www.conforg.fr/isma2014/cdrom/data/articles/000054.pdf
Bader, Rolf, Pfeifle, Florian, Plath, Niko. “Microphone array measurements, high-speed camera recordings, and geometrical finite-differences physical modeling of the grand piano”. The 168th Meeting of the Acoustical Society of America (ASA) (2014)
Fischer, Jost Leonhardt & Abel, Markus. “Synchronization of Organ Pipes - Experimental Facts and Theory”. The Journal of the Acoustical Society of America 136 (2163). (2014) https://doi.org/10.1121/1.4899828
Fischer, Jost Leonhardt. Nichtlineare Kopplungsmechanismen akustischer Oszillatoren am Beispiel der Synchronisation von Orgelpfeifen. Potsdam: Universität Potsdam, 2014. https://publishup.uni-potsdam.de/frontdoor/index/index/docId/6958
2013
Busch, V., Schlemmer, K. & Wöllner, C. “Erhaben, innig oder kriegerisch? Einflussgrößen bei der Wahrnehmung von Tonartencharakteren [Factors influencing the perception of musical key characteristics]”. (2013): S. 226-235.
Neuhaus, Christiane. “Processing musical form - behavioral and neurocognitive approaches”. Musicae Scientiae 17(1). (2013): S. 109 - 127.https://doi.org/10.1177/1029864912468998
Busch, V., Schlemmer, K. & Wöllner, C. (Hg.). Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].. Hildesheim: Olms, 2013.
Wöllner, C. “How to quantify individuality in music performance? Studying artistic expression with averaging procedures.”. Frontiers in Cognitive Science 4(361). (2013) https://doi.org/10.3389/fpsyg.2013.00361
Wöllner, C. “Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks”. Acta Psychologica 143. (2013): S. 79-87.https://doi.org/10.1016/j.actpsy.2013.02.012
Bader, R., Leman, M., Godoy, R.-I. (Hg.). Sound - Perception - Performance. Current Research in Systematic Musicology, 1. Berlin Heidelberg: Springer, 2013. Springer Buch Springer Buchreihe (About) Springer Buchreihe (Titles) Springerlink (Series) Springerlink (Book)
Bader, Rolf. Nonlinearities and Synchronization in Musical Acoustics and Music Psychology. Current Research in Systematic Musicology, 2. Berlin Heidelberg: Springer, 2013. Springer Buch Springer Buchreihe (About) Springer Buchreihe (Titles) Springerlink (Series) Springerlink (Book)
Bader, Rolf. “Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception”. Sound - Perception - Performance. Hg. Rolf Bader. Current Research in Systematic Musicology, 1. Berlin, Heidelberg: Springer, 2013, S. 3-41. http://doi.org/10.1007/978-3-319-00107-4_1
Michael Blaß. “Timbre-based Drum Pattern Classification using Hidden Markov Models”. International Workshop on Machine Learning and Music (MML) (2013): S. 11–14. http://www.ecmlpkdd2013.org/wp-content/uploads/2013/09/MLMU_Blass.pdf
Pfeifle, Florian & Bader, Rolf. “Performance Controller for Physical Modelling FPGA Sound Synthesis of Musical Instruments”. Sound - Perception - Performance. Hg. Rolf Bader. Current Research in Systematic Musicology, 1. Berlin, Heidelberg: Springer, 2013, S. 331-350. http://doi.org/10.1007/978-3-319-00107-4_14
Neuhaus, C.. “The perception of melodies - some thoughts on listening style, relational thinking and musical structure”. Sound - Perception - Performance. Hg. Bader, Rolf, Leman, Marc, Godoy, Rolf-Inge. Current Research in Systematic Musicology, 1. Berlin Heidelberg: Springer, 2013, S. 389.
Plath, Niko. “High-speed camera displacement measurement (HCDM) technique of string vibrations”. Proceedings of the Stockholm Music Acoustics Conference (SMAC) 2013 (2013): S. 188-192.http://www.speech.kth.se/smac-smc-2013/proceedings/SMAC2013_Proceedings_online-version_updated-20141031.pdf
Fischer, Jost Leonhardt & Bergweiler, Steffen & Abel, Markus. “The Arnold-Tongue of Coupled Acoustic Oscillators”. (2013) arXiv: 1311.5797v1
Fischer, Jost Leonhardt & Abel, Markus. “The mother tongue of organ pipes-Synchronization, experiments, numerical simulations, and model”. The Journal of the Acoustical Society of America 134, (4243). (2013) https://doi.org/10.1121/1.4831601
2012
Ziemer, Tim. “Psychoacoustic Effects in Wave Field Synthesis Applications”. Systematic Musicology: Empirical and Theoretical Studies. Hg. Albrecht Schneider & Arne von Ruschkowski. Hamburger Jahrbuch für Musikwissenschaft, Frankfurt am Main: Peter Lang, 2012, S. 153-162. http://doi.org/10.3726/978-3-653-01290-3
Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E. “The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors”. Journal of Experimental Psychology: Human Perception and Performance 38(6). (2012): S. 1390-1403.http://psycnet.apa.org/doi/10.1037/a0028130
Wöllner, C. “Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis”. Psychology of Aesthetics, Creativity, and the Arts 6(3). (2012): S. 214-233.http://psycnet.apa.org/doi/10.1037/a0027392
Wöllner, C. “Self-recognition of highly skilled actions: A study of orchestral conductors”. Consciousness and Cognition 21. (2012): S. 1311-1321.http://www.sciencedirect.com/science/article/pii/S1053810012001481
Bader, Rolf. “Radiation characteristics of multiple and single sound hole vihuelas and a classical guitar”. The Journal of the Acoustical Society of America 131(1). (2012): S. 819-828.http://doi.org/10.1121/1.3651096
Fischer, Jost Leonhardt. Über Synchronisationsphänomene nichtlinearer akustischer Oszillatoren. Potsdam: Universität Potsdam, 2012. http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-63618
2011
Ziemer, Tim. “A psychoacoustic Approach to Wave Field Synthesis”. Audio Engineering Society 42nd International Conference: Semantic Audio (2011): S. Paper-Number: P2-1.http://www.aes.org/e-lib/browse.cfm?elib=15942
Ziemer, Tim. Psychoacoustic Wave Field Synthesis of Musical Sounds: Theory and Application. Hamburg: Universität Hamburg, 2011.
Bader, Rolf. “Characterizing Classical Guitars Using Top Plate Radiation Patterns Measured by a Microphone Array”. Acta Acustica United With Acustica 97(5). (2011): S. 830-839.http://doi.org/10.3813/AAA.918463
2010
Bader, Rolf. “Reconstruction of radiating sound fields using minimum energy method”. The Journal of the Acoustical Society of America 127(1). (2010): S. 300-308.http://doi.org/10.1121/1.3271416
2009
Ziemer, Tim. “Wave Field Synthesis by an Octupole Speaker System”. Proceedings of the Second International Conference of Students of Systematic Musicology (SysMus09) (2009): S. 89-93.https://biblio.ugent.be/publication/823807/file/6824513.pdf#page=90
2008
Bader, Rolf & Hansen, Uwe. “Modeling of Musical Instruments”. Handbook of Signal Processing in Acoustics. 1. Hg. David Havelock, Sonoko Kuwano & Michael Vorländer. New York: Springer, 2008, S. 419-446. http://doi.org/10.1007/978-0-387-30441-0_26
2005
Bader, Rolf. “Turbulent κ — ε model of flute-like musical instrument sound production”. Fractals in Engineering. New Trends in Theory and Applications (2005): S. 109-121.http://doi.org/10.1007/1-84628-048-6_8
Bader, Rolf. Computational Mechanics of the Classical Guitar. Berlin, Heidelberg: Springer, 2005. http://doi.org/10.1007/3-540-31103-3