Publikationen

Aktuelle Veröffentlichungen

2023

Ziemer, Tim. “Psychoakustische Schallfeldsynthese für Musik. Raum schaffen für Komposition, Aufführung, Akustik und Wahrnehmung”. (2023) https://link.springer.com/book/9783031268625 (in print)

2022

Platz, F., Kopiez, R., Lehmann, A. C. & Wolf, A. (2022). Measuring Audiation or Tonal Memory? – Evaluation of the Discriminant Validity of Edwin E. Gordons „Advanced Measures of Music Audiation“. Music & Science. https://www.doi.org/10.1177/20592043221105270

Ziemer, Tim, Schultheis, Holger. “PAMPAS: A PsychoAcoustical Method for the Perceptual Analysis of multidimensional Sonification”. Frontiers in Neuroscience 16. (2022): S. 930-944.https://doi.org/10.3389/fnins.2022.930944

Ziemer, Tim & Schultheit, Holger. “Both Rudimentary Visualization and Prototypical Sonification can Serve as a Benchmark to Evaluate New Sonification Designs”. Proceedings of the 16th International Audio Mostly Conference (2022) https://doi.org/10.1145/3561212.3561228

Yin, Myat Su, Haddawy, Peter, Ziemer, Tim, Wetjen, Fabian, Supratak, Akara, Chiamsakul, Kanrawee, Siritanakorn, Worameth, Chantanalertvilai, Tharit, Sriwichai, Patchara & Sa-ngamuang, Chaitawat. “A deep learning-based pipeline for mosquito detection and classification from wingbeat sounds”. Multimedia Tools and Applications (2022) https://doi.org/10.1007/s11042-022-13367-0

Ziemer, Tim & Mirzayousef, Navid. “Recommendations to Develop, Distribute and Market Sonification Apps”. (2022) International Conference on Auditory Display https://doi.org/10.21785/icad2022.003

Ziemer, Tim, “Visualization vs. Sonification to Level a Table”. (2022) Proceedings of ISon 2022, 7th Interactive Sonification Workshop, https://doi.org/10.5281/zenodo.7552217

Ziemer, Tim, Wetjen, Fabian & Herbst, Alexander. “The Antenna Base Plays a Crucial Role in Mosquito Courtship Behavior”. Frontiers in Tropical Diseases 3. (2022) https://doi.org/10.3389/fitd.2022.803611

Bader, Rolf. “Long radiation initial transient time (RITT) laser interferometry measurements of a Balinese gender bronze plate”. Proceedings of Meetings on Acoustics (POMA) 49. (2022) https://doi.org/10.1121/2.0001682

Linke, Simon, Mores, Robert & Bader, Rolf. “Describing minimum bow force using Impulse Pattern Formulation (IPF) – an empirical validation”. Proceedings of Meetings on Acoustics (POMA) 49. (2022) https://doi.org/10.1121/2.0001683

Sawicki, Jakub, Hartmann, Lenz, Bader, Rolf, Schöll, Eckehard. “Modelling the perception of music in brain network dynamics”. ArXiv Preprint (2022) https://arxiv.org/abs/2204.00562

Bader, Rolf & Plath, Niko. “Impact of Damping on Oscillation Patterns on the Plain Piano Soundboard”. Acoustics 4(4). (2022): S. 1013-1027 https://doi.org/10.3390/acoustics4040062

Linke, Simon, Bader, Rolf & Mores, Robert. “Multiphonic modeling using Impulse Pattern Formulation (IPF)”. ArXiv Preprint (2022) https://arxiv.org/abs/2201.05452

2021

Platz, F., Wolf, A., & Hasselhorn, J. (2021). Lässt sich die Lernwirksamkeit von Musikunterricht durch den Einsatz neuer (digitaler) Medien steigern? In K. Martin & C. Stick (Hrsg.), Musikpädagogik in Zeiten von Globalisierung und Digitalisierung (S. 82–102). https://doi.org/10.25656/01:21751

Baier, J., Wöllner, C., & Wolf, A. (2021). Interpersonal Musical Synchronization and Prosocial Behavior in Children: No Effects in a Controlled Field Experiment. Frontiers in Psychology, 12, 784255. https://doi.org/10.3389/fpsyg.2021.784255

Vasconcelos, Dinarte, Yin, Myat Su, Wetjen, Fabian, Herbst, Alexander, Ziemer, Tim, Förster, Anna, Barkowsky, Thomas, Nunes, Nuno & Haddawy, Peter. “Counting Mosquitoes in the Wild: An Internet of Things Approach”. Proceedings of the Conference on Information Technology for Social Good (GoodIT) (2021): S. 43–48.https://doi.org/10.1145/3462203.3475914

Ziemer, Tim & Schultheis, Holger. “The CURAT Sonification Game: Gamification for Remote Sonification Evaluation”. The 26th International Conference on Auditory Display (ICAD 2021) (2021): S. 233–240.https://doi.org/10.21785/icad2021.026

Asendorf, Malte, Kienzle, Moritz, Ringe, Rachel,Ahmadi, Fida, Bhowmik, Debaditya, Chen, Jiumeng, Huynh, Kelly, Kleinert, Steffen, Kruesilp, Jatawan, Lee, Ying Ying, Wang, Xin, Luo, Wei, Jadid, Navid Mirzayousef, Awadin, Ahmed, Raval, Varun, Schade, Eve Emily Sophie, Jamam, Hasanur, Sharma, Kashish, Weber, Colin, Winkler, Helena & Ziemer, Tim. “Tiltification – An Accessible App to Popularize Sonification”. The 26th International Conference on Auditory Display (ICAD 2021) (2021): S. 184–191.https://doi.org/10.21785/icad2021.025

Ahmadi, Fida Mohammad, Asendorf, Malte, Bhowmik, Debaditya, Chen, Jiumeng, Huynh, Kelly, Kienzle, Moritz, Kleinert, Steffen, Kruesilp, Endy Jatawan, Lee, Ying Ying, Luo, Wei, Jadid, Navid Mirzayousef, Awadin, Ahmed, Raval, Varun, Ringe, Rachel, Schade, Eve Emily Sophie, Seam, Hasanur Jaman, Sharma, Kashish, Wang, Xin, Weber, Colin, Winkler, Helena & Ziemer, Tim. “Sonic-Tilt”. Github-Repository (2021) https://doi.org/10.5281/zenodo.5543983

Bader, Rolf. “The music of Northern Myanmar Kachin ethnic group, facing politics, religion, and globalization”. SocArXiv (2021) https://osf.io/preprints/socarxiv/ezr3p/

Pauli, Theresa & Bader, Rolf. “Analysis and perception of a viscoelastic, frequency-dependent Finite-Difference Time Domain damping model of a drum”. (2021) https://doi.org/10.1121/10.0004725

Linke, Simon, Bader, Rolf & Mores, Robert. “The fretted zither and the influence of a supporting table on its initial transients—An impulse pattern formulation model”. Journal of the Acoustical Society of America (2021) https://doi.org/10.1121/10.0004629

Linke, Simon, Bader, Rolf & Mores, Robert. “Influence of the supporting table on initial transients of the fretted zither: An impulse pattern formulation model”. Proceedings of Meetings on Acoustics (POMA) 43. (2021) https://doi.org/10.1121/2.0001494

Linke, Simon, Bader, Rolf & Mores, Robert. “Modeling synchronization in human musical rhythms using Impulse Pattern Formulation (IPF)”. ArXiv Preprint (2021) https://arxiv.org/abs/2112.03218

Bader, Rolf, Blaß, Michael & Franke, Jonas. “Computational timbre and tonal system similarity analysis of the music of Northern Myanmar-based Kachin compared to Xinjiang-based Uyghur ethnic groups”. ArXiv Preprint (2021) https://arxiv.org/abs/2103.08203

Bader, Rolf. “How Music Works. A Physical Culture Theory”. (2021) https://doi.org/10.1007/978-3-030-67155-6

Bader, Rolf, Zielke, Axel & Franke, Jonas. “Timbre-based machine learning of clustering Chinese and Western Hip Hop music”. Audio Engineering Society Convention 150. (2021) http://www.aes.org/e-lib/browse.cfm?elib=21066

2020

Düvel, N., Kopiez, R., Wolf, A., & Weihe, P. (2020). Confusingly similar: Discerning between hardware guitar amplifier sounds and simulations with the Kemper Profiling Amp. Music & Science. https://doi.org/10.1177/2059204320901952

Fischer, Jost Leonhardt, Blass Michael, Plath Niko. “Computational Phonogram Archiving: a generic framework for knowledge discovery in music archives”. 73(12) 50. (2020), https://doi.org/10.1063/PT.3.4636

Ziemer, Tim. Psychoacoustic Music Sound Field Synthesis - Creating Spaciousness for Composition, Performance, Acoustics and Perception. Current Reseach in Systematic Musicology, 7. Cham: Springer, 2020. http://doi.org/10.1007/978-3-030-23033-3

Ziemer, Tim, Plath, Niko. “Microphone and Loudspeaker Array Signal Processing Steps towards a ‘Radiation Keyboard’ for Authentic Samplers”. Applied Sciences 10(7). (2020) http://doi.org/10.3390/app10072333

Ziemer, Tim, Kiattipadungkul, Pattararat & Karuchit, Tanyarin. “Novel Recording Studio Features for Music Information Retrieval”. Proceedings of Meetings on Acoustics (POMA) 42(1). (2020) https://doi.org/10.1121/2.0001363

Ziemer, Tim, Nuchprayoon, Nuttawut & Schultheis, Holger. “Psychoacoustic Sonification as User Interface for Human-Machine Interaction”. International Journal of Informatics Society 12(1). (2020): S. 3-16.http://www.infsoc.org/journal/vol12/12-1

Ziemer, Tim, Schultheis, Holger, Höring, Thomas, Meirose, Lukas, Vajsbaher, Tina, Kellmann, Patrick, Tauritis, Daniel, Mönig, Sven Daniel, Sauer, Dominik, Kathmann, Hannah, Carsten-Frerichs, Jared, Ehrhardt, Leon & Gels, Tobias. “CURAT Sonification Game”. Google Play Store (2020) http://play.google.com/store/apps/details?id=com.University_Bremen.Curat

Bader, Rolf, Gernert, Stefanie & Mischo, Johannes. “Metamaterial labyrinth wall for very low and broad-band sound absorption”. Researchgate Preprint (2020) Researchgate [PDF]

Bader, Rolf. “Neural coincidence detection strategies during perception of multi-pitch musical tones”. ArXiv Preprint (2020) https://arxiv.org/abs/2001.06212

Hartmann, Lenz & Bader, Rolf. “Neural synchronization of music large-scale form”. ArXiv Preprint (2020) https://arxiv.org/abs/2005.06938

Vajsbaher, Tina, Ziemer, Tim & Schultheis, Holger. “A multi-modal approach to cognitive training and assistance in minimally invasive surgery”. Cognitive Systems Research 64. (2020): S. 57–72.https://doi.org/10.1016/j.cogsys.2020.07.005

Veröffentlichungen: 2005–2019

2019

Wolf, A. & Loepthien, T. (2019). Musikalität. In M. A. Wirtz (Hrsg.), Dorsch. Lexikon der Psychologie (19. Aufl.). Hogrefe. https://dorsch.hogrefe.com/stichwort/musikalitaet

Wolf, A. & Loepthien, T. (2019). Musikwahrnehmung. Ebd. https://dorsch.hogrefe.com/stichwort/musikwahrnehmung

Loepthien, T. & Wolf, A. (2019). Musikpräferenzen. Ebd. https://dorsch.hogrefe.com/stichwort/musikpraeferenzen

Loepthien, T. & Wolf, A. (2019). Musikrezeption. Ebd. https://dorsch.hogrefe.com/stichwort/musikrezeption

Lin, H.-R., Kopiez, R., Müllensiefen, D. & Wolf, A. (2019). The Chinese version of the Gold-MSI: Adaptation and validation of an inventory for the measurement of musical sophistication in a Taiwanese sample. Musicae Scientiae. https://doi.org/10.1177/1029864919871987

Ziemer, Tim & Schultheis, Holger. “Psychoacoustical Signal Processing for Three-Dimensional Sonification”. 25th International Conference on Auditory Display (ICAD2019) (2 019), http://doi.org/10.21785/icad2019.018

Plath, Niko. “3D Imaging of Musical Instruments: Methods and Applications”. Computational Phonogram Archiving. Hg. Rolf Bader. 5. Cham: Springer, 2019, S. 321–334, http://doi.org/10.1007/978-3-030-02695-0_15

Ismailogullari, Abdullah & Ziemer, Tim. “Soundscape Clock - Soundscape Compositions that Display the Time of the Day”. 25th International Conference on Auditory Display (ICAD2019) (2019), http://doi.org/10.21785/icad2019.034

Stirnat, Claudia & Ziemer, Tim. “Spaciousness in Music: the Tonmeister’s Intention and the Listener’s Perception”. KLG 2017. klingt gut! 2017 – international Symposium on Sound 1. (2019): S. 42–51, http://doi.org/10.29007/nv93

Schwarz, Sebastian & Ziemer, Tim. “A Psychoacoustic Sound Design for Pulse Oximetry”. 25th International Conference on Auditory Display (ICAD2019) (2019), http://doi.org/10.21785/icad2019.024

Wöllner, Clemens. “Anticipated sonic actions and sounds in performance”. The Oxford handbook of sound and imagination. Hg. M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard. 2. New York: Oxford University Press, 2019, http://doi.org/10.1093/oxfordhb/9780190460242.013.44

Bader, Rolf, Fischer, Jost Leonhardt, Münster Malte & Kontopidis, Patrick. “Metamaterials in musical acoustics: A modified frame drum”. The Journal of the Acoustical Society of America Vol. 145, Issue 3. (2019): S. 1709, https://doi.org/10.1121/1.5101271

Fischer, Jost Leonhardt. “Shock Wave Characteristics in the Initial Transient of an Organ Pipe”. Computational Phonogram Archiving S. 269-304. 1. Hg. Rolf Bader. Computational Phonogram Archiving. Springer, 2019, S. 269–304, http://dx.doi.org/10.1007/978-3-030-02695-0

Fischer, Jost Leonhardt. “On the Dynamics of the Flow and the Sound Field of an Organ Pipes's Mouth Region”. (2019), https://arxiv.org/abs/1912.06484

Bader, Rolf (Hrsg.). “Computational Phonogram Archiving”. (2019) https://doi.org/10.1007/978-3-030-02695-0

Bader, Rolf. “Computational Music Archiving as Physical Culture Theory”. 5. (2019): S. 3-34.https://doi.org/10.1007/978-3-030-02695-0_1

Bader, Rolf. “Temperament in tuning systems of southeast asia and ancient india”. 5. (2019): S. 75-107.https://doi.org/10.1007/978-3-030-02695-0_3>

Franke, Jonas. “Requirements and Use Cases for Digital Sound Archives in Ethnomusicology”. 5. (2019) https://doi.org/10.1007/978-3-030-02695-0_11

Blaß, Michael & Bader, Rolf. “Content-Based Music Retrieval and Visualization System for Ethnomusicological Music Archives”. 5. (2019): S. 145-173.10.1007/978-3-030-02695-0_7

Plath, Niko. “From Workshop to Concert Hall : Acoustic Observations on a Grand Piano under Construction”. (2019) https://ediss.sub.uni-hamburg.de/handle/ediss/6308

Bader, Rolf, Fischer, Jost, Münster, Malte, Kontopidis, Patrick. “Metamaterials in Musical Acoustics”. Proceedings of ISMA 2019, International Symposium on Music Acoustics (2019): S. 432-449.http://pub.dega-akustik.de/ISMA2019/data/articles/000045.pdf

Bader, Rolf, Fischer, Jost, Münster, Malte, Kontopidis, Patrick. “Metamaterials in musical acoustics: A modified frame drum”. Journal of the Acoustical Society of America 145(5). (2019): S. 3086-3094.https://doi.org/10.1121/1.5102168

Bader, Rolf; Fischer, Jost Leonhardt; Münster, Malte; Kontopidis, Patrick. “Metamaterials in musical acoustics: A modified frame drum”. The Journal of the Acoustical Society of America Vol. 145, Issue 3. (2019): S. pp. 1709.https://doi.org/10.1121/1.5101271

Neuhaus, Christiane. ““You should praise”–“You should kill”: The contingent negative variation indicates moral goodness and badness”. Front. Hum. Neurosci. 13. (2019) https://doi.org/10.3389/fnhum.2019.00432

Schultheis, Holger, Ziemer, Tim & Vajsbaher, Tina. “Cognitive Surgical Assistance in Minimally-Invasive Interventions”. 8. Interdisziplinären Workshops zu Kognitiven Systemen (2019) https://www.researchgate.net/publication/332901260_Cognitive_Surgical_Assistance_in_Minimally-Invasive_Interventions

Ziemer, Tim, Höring, Thomas, Meirose, Lukas & Schultheis, Holger. “Monophonic Sonification for Spatial Navigation”. IWIN (International Workshop on Informatics) (2019) http://www.infsoc.org/conference/iwin2019/download/IWIN2019-Proceedings.pdf#page=95

Ziemer, Tim & Schultheis, Holger. “Psychoakustische Sonifikation zur Navigation in Bildgeführter Chirurgie”. (2019): S. 347–358.http://doi.org/10.25366/2020.42

2018

Hasselhorn, J. & Wolf, A. (2018). Assessment, Bewertung und Musikkritik. In A. C. Lehmann & R. Kopiez (Hrsg.), Handbuch Musikpsychologie, S. 389–410. Hogrefe.

Wolf, A., Kopiez, R., & Platz, F. (2018). Thinking in music: An objective measure of notation-evoked sound imagery in musicians. Psychomusicology: Music, Mind, and Brain, 28(4), 209221. https://doi.org/10.1037/pmu0000225

Wolf, A., Kopiez, R., Platz, F., Lin, H.-R. & Mütze, H. (2018). Tendency Towards the Average? The Aesthetic Evaluation of a Quantitatively Average Music Performance: A Successful Replication of Repps (1997) Study. Music Perception, 36, 98–108. https://doi.org/10.1525/MP.2018.36.1.98

Wolf, A., & Kopiez, R. (2018). Development and validation of the Musical Ear Training Assessment (META). Journal of Research in Music Education, 66, 53–70. https://doi.org/10.1177/0022429418754845

Mütze, H., Kopiez, R., & Wolf, A. (2018). The effect of a rhythmic pulse on the heart rate: Little evidence for rhythmical entrainment and synchronization. Musicae Scientiae. https://doi.org/10.1177/1029864918817805

Bader, Rolf, Plath, Niko & Pfeifle, Florian. “Impact of internal damping on forced vibrations of piano soundboards”. The Journal of the Acoustical Society of America 143(3). (2018): S. 3317, http://doi.org/10.1121/1.4970565

Plath, Niko & Preller, Katharina. “Early Development Process of the Steinway & Sons Grand Piano Duplex Scale”. Wooden Musical Instruments - Different Forms of Knowledge. Book of End of WoodMusICK COST Action FP1302 (2018)

Bader, Rolf (Hg.). Springer Handbook of Systematic Musicology. Springer Handbooks, Berlin, Heidelberg: Springer, 2018. http://doi.org/10.1007/978-3-662-55004-5

Bader, Rolf. “Musical Instruments as Synchronized Systems”. Springer Handbook of Systematic Musicology. Hg. Rolf Bader. Springer Handbooks, Berlin, Heidelberg: Springer, 2018, S. 171–196. http://doi.org/10.1007/978-3-662-55004-5_10

Bader, Rolf. “Cochlear spike synchronization and neuron coincidence detection model”. Chaos 28(2). (2018): S. Paper-Number: 023105, http://doi.org/10.1063/1.5011450

Ziemer, Tim & Schultheis, Holger. “Perceptual Auditory Display for Two-Dimensional Short-Range Navigation (Abstract)”. (2018), http://2018.daga-tagung.de/fileadmin/2018.daga-tagung.de/programm/Feb_16_Programmheft.pdf

Ziemer, Tim & Schultheis, Holger. “Perceptual Auditory Display for Two-Dimensional Short-Range Navigation”. Fortschritte der Akustik - DAGA 2018 (2018): S. 1094–1096, https://www.dega-akustik.de/publikationen/online-proceedings/

Ziemer, Tim & Schultheis, Holger. “Psychoacoustic auditory display for navigation: an auditory assistance system for spatial orientation tasks”. Journal on Multi-Modal User Interfaces (JMUI) Special Issue: Interactive Sonification. (2018) Free View, http://doi.org/10.1007/s12193-018-0282-2

Ziemer, Tim & Schultheis, Holger. “A Psychoacoustic Auditory Display for Navigation”. 24th International Conference on Auditory Display (ICAD2018) (2018): S. 136–144, http://doi.org/10.21785/icad2018.007

Ziemer, Tim, Schultheis, Holger, Black, David & Kikinis, Ron. “Psychoacoustical Interactive Sonification for Short-Range Navigation”. Acta Acustica United With Acustica 104(6). (2018): S. 1075–1093, http://doi.org/10.3813/AAA.919273

Ziemer, Tim. “Wave Field Synthesis”. Springer Handbook of Systematic Musicology. Hg. Rolf Bader. Springer Handbooks, Berlin, Heidelberg: Springer, 2018, S. 329–347. http://doi.org/10.1007/978-3-662-55004-5_18

Wöllner, C., Hammerschmidt, D., & Albrecht, H. “Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses”. PLoS ONE 13(6). (2018), https://doi.org/10.1371/journal.pone.0199161

Hammerschmidt, D., & Wöllner, C. “The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes”. Journal of Eye Movement Research 11(2):10. (2018), http://dx.doi.org/10.16910/jemr.11.2.10

Hammerschmidt, D. & Wöllner, C. “Eye movements in film perception: The impact of emotional music and playback speed”. International Conference of Music Perception and Cognition and European Conference of the Cognitive Sciences of Music, 23–28 July 2018, Karl-Franzens-Universität Graz (2018)

Kopiez, R. & Wöllner, C. “Interpretation und Reproduktion”. Handbuch Musikpsychologie. Hg. A.C. Lehmann & R. Kopiez. Göttingen: Hogrefe, 2018, S. 311–340.

Nichols, B.E., Wöllner, C., & Halpern, A.R. “Score one for jazz: Working memory in jazz and classical musicians”. Psychomusciology 28(2). (2018): S. 101–107, http://psycnet.apa.org/doiLanding?doi=10.1037%2Fpmu0000211

Wöllner, C. “Call and Response: Musical and bodily interactions in dyadic jazz improvisation”. Musicae Scientiae Online First. (2018), https://doi.org/10.1177%2F1029864918772004

Wöllner, C. “Joint actions in a musical duo improvisation: Bodily and acoustical characteristics”. Movementis: International Conference on Movement, Brain, Body and Cognition, 26–29 July 2018, Harvard Medical School, Boston (2018)

Michael Blaß & Rolf Bader. “Content-based Music Retrieval System for Ethnomusicological Sound Archives”. 52nd Annual Conference of the Association for Recorded Sound Collections (ARSC) (2018)

Fischer, Jost Leonhardt. “Digital Intelligence Organology (DIO): Physical Modelling of Musical Instruments”. KONFERENZBAND | PROCEEDINGS EVA BERLIN 2018 Elektronische Medien & Kunst, Kultur und Historie (2018): S. 73–78, https://www.eva-berlin.de/wp-content/uploads/2018/11/EVA_2018_Konferenzband_elektronisch.pdf

Fischer, Jost Leonhardt & Bader, Rolf. “Switch of synchronization states of aeroacoustical coupled organ pipes”. The Journal of the Acoustical Society of America 143 (1908). (2018): S. 1908, https://doi.org/10.1121/1.5036214

2017

Kopiez, R., Wolf, A. & Platz, F. (2017). Small influence of performing from memory on audience evaluation. Empirical Musicology Review, 12, 2–14. https://doi.org/10.18061/emr.v12i1-2.5553

Düvel, N., Wolf, A. & Kopiez, R. (2017). Neuromyths in music education: Prevalence and predictors of misconceptions among teachers and students. Frontiers in Psychology, 8, 629. https://doi.org/10.3389/fpsyg.2017.00629

Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Radiation Characteristics of Grand Piano Soundboards in Different Stages of Production”. Proceedings of the 2017 International Symposium on Musical Acoustics (ISMA) (2017): S. 18-22, https://isma2017.cirmmt.mcgill.ca/proceedings/pdf/ISMA2017_Proceedings.pdf

Kirsch, Sebastian & Plath, Niko. “Post-Processing Methods for 3D-Computed Tomography Data of Musical Instruments”. 3D Imaging of Cultural Heritage. Hg. British Museum. London: 2017

Plath, Niko & Kirsch, Sebastian. “Post-Processing of Musical Instrument 3D Computed Tomography Data for Conservational Applications”. Preservation of Wooden Musical Instruments - 4th Annual Conference COST FP1302 WoodMusICK (2017): S. 161-164.WoodMusICK Proceedings

Poulopoulos, Panagiotis and Pamplona, Marisa and Richter, Luise & Plath, Niko. “Conservation Issues on Historical Pedal Harps: Preserving Tangible and Intangible Properties”. Preservation of Wooden Musical Instruments - 4th Annual Conference COST FP1302 WoodMusICK (2017) WoodMusICK Proceedings

Böhlke, Leonie & Ziemer, Tim. “Perceptual evaluation of violin radiation characteristics in a wave field synthesis system”. Proceedings of Meetings on Acoustics (POMA) 30(1). (2017): S. Paper-Number: 035001, http://doi.org/10.1121/2.0000524

Ziemer, Tim, Black, David & Schultheis, Holger. “Psychoacoustic sonification design for navigation in surgical interventions”. Proceedings of Meetings on Acoustics (POMA) 30(1) 30(1). (2017): S. Paper-Number: 050005, http://doi.org/10.1121/2.0000557

Black, David, Ziemer, Tim, Rieder, Christian, Hahn, Horst & Kikinis, Ron. “Auditory Display for Supporting Image-Guided Medical Instrument Navigation in Tunnel-like Scenarios”. Proceedings of the 3rd Conference on Image-Guided Interventions & Fokus Neuroradiologie (IGIC) (2017)

Stirnat, Claudia & Ziemer, Tim. “Räumlichkeit in Musik: Empfehlung in der Literatur, Umsetzung in der Praxis und Wahrnehmung beim Hörer”. 33. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2017): S. 137, http://doi.org/10.13140/RG.2.2.27074.68804

Ziemer, Tim, Black, David & Schultheis, Holger. “A Psychoacoustic Review of Auditory Displays in the OR”. 16. Jahrestagung der Deutschen Gesellschaft für Computer- und Roboterassistierte Chirurgie e.V. (2017), https://www.researchgate.net/publication/320958966_A_Psychoacoustic_Review_of_Auditory_Displays_in_the_OR_Precis

Ziemer, Tim. “Two-dimensional psychoacoustic sonification”. 33. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2017): S. 60-61, https://www.researchgate.net/publication/319778727_Two-dimensional_psychoacoustic_sonification

Ziemer, Tim & Bader, Rolf. “Psychoacoustic Sound Field Synthesis for Musical Instrument Radiation Characteristics”. Journal of the Audio Engineering Society 65(6). (2017): S. 482-496, http://doi.org/10.17743/jaes.2017.0014

Ziemer, Tim & Black, David. “Psychoacoustic sonification for tracked medical instrument guidance (Abstract)”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3694, http://doi.org/10.1121/1.4988051

Ziemer, Tim. “Perceptually motivated sound field synthesis for music presentation”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3997, http://doi.org/10.1121/1.4989162

Ziemer, Tim. “Perceptual sound field synthesis concept for music presentation”. Proceedings of Meetings on Acoustics (POMA) 30(1). (2017): S. Paper-Number: 015016, http://doi.org/10.1121/2.0000661

Ziemer, Tim & Black, David. “Psychoacoustically motivated sonification for surgeons”. International Journal of Computer Assisted Radiology and Surgery (Suppl 1):1. (2017): S. 265-266, https://link.springer.com/article/10.1007/s11548-017-1588-3

Böhlke, Leonie & Ziemer, Tim. “Perception of a virtual violin radiation in a wave field synthesis system (Abstract)”. The Journal of the Acoustical Society of America 141(5). (2017): S. 3875, http://doi.org/10.1121/1.4988669

Ziemer, Tim. “Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis”. Studies in Musical Acoustics and Psychoacoustics. Hg. Albrecht Schneider. Current Research in Systematic Musicology, Cham: Springer, 2017, S. 299-340. http://doi.org/10.1007/978-3-319-47292-8_10

Wöllner, C. “Structured sounds in bodily and spatial dimensions (Introduction)”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 1-10. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403

Hohagen, J. & Wöllner, C. “Evaluation von Bewegungssonifikationen musikalischer Gesten”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 12–13.

Wöllner, C. & Keller, P. “Music with others: Ensembles, conductors, and interpersonal coordination”. The Routledge companion to music cognition. Hg. R. Ashley & R. Timmers. New York: Routledge, 2017, S. 313-324.

Hammerschmidt, D. & Wöllner, C. “Audio-visual quality perception in musical performance videos”. Jahrbuch Musikpsychologie 28. (2017): S. 112-127.

Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J. “Music and slow motion: A study of eye movements in film and video clips”. Conference on Music & Eye-tracking (2017): S. 14–15.

Wöllner, C. “Audience responses in the light of perception-action theories of empathy”. Music and empathy. Hg. E. King & C. Waddington. New York: Routledge, 2017, S. 139-156. https://www.routledge.com/Music-and-Empathy/King-Waddington/p/book/9781472445803

Albrecht, H. & Wöllner, C. “Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 89–90.

Wöllner, C. (Hg.). Body, sound, and space in music and beyond. Multimodal explorations. Abingdon, New York: Routledge, 2017.

Wöllner, C. & Hohagen, J. “Gestural qualities in music and outward bodily responses”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 69-88. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403

Michael Blaß & Rolf Bader. “Content-based Music Retrieval And Visualisation System for Ethnomusicological Sound Archives”. International Symposium on Computational Ethnomusicological Archiving (2017)

Fischer, Jost Leonhardt & Bader, Rolf. “Numerical Simulations of Transverse Modes in the Initial Transient of an Organ Pipe”. ISMA Proceedings, Montreal, Canada 2017 (2017), http://dx.doi.org/10.1007/978-3-319-47292-8

Fischer, Jost Leonhardt. “Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe”. Studies in Musical Acoustics and Psychoacoustics. 1. Studies in Musical Acoustics and Psychoacoustics pp 109-142. Springer, 2017, S. pp 109-142. http://dx.doi.org/10.1007/978-3-319-47292-8

Fischer, Jost Leonhardt & Bader, Rolf. “Numerical simulations of the turbulent flow and the sound field of the Turkish ney end-blown flute”. The Journal of the Acoustical Society of America 141 (3960). (2017): S. 3960, https://doi.org/10.1121/1.4989009

2016

Kopiez, R., Wolf, A., Platz, F., & Mons, J. (2016). Replacing the orchestra? The discernability of sample library and live orchestra sounds. PLOS ONE, 11(7), e0158324. https://doi.org/10.1371/journal.pone.0158324

Haag, Volker & Plath, Niko. “Influence of Different Bridge Timbers on the Resonance Behavior of Acoustic Guitars in the Traditional Maccaferri Design”. Proceedings of the 3rd Annual COST FP1302WoodMusICK Conference (2016)

Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Driving Point Mobilities of a Concert Grand Piano Soundboard in Different Stages of Production”. Proceedings of the 3rd Annual COST FP1302WoodMusICK Conference (2016)

Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Vibrational behaviour of concert grand piano soundboards in different stages of production”. 5th Joint meeting of the Acoustical Society of America and the Acoustical Society of Japan (2016)

Alexandraki, Chrisoula & Bader, Rolf. “Anticipatory Networked Communications for Live Musical Interactions of Acoustic Instruments”. Journal of New Music Research 45(1). (2016): S. 68-85, http://doi.org/10.1080/09298215.2015.1131990

Ziemer, Tim, Yu, Yi & Tang, Suhua. “Using Psychoacoustic Models for Sound Analysis in Music”. FIRE '16 Proceedings of the 8th annual meeting of the Forum on Information Retrieval Evaluation (2016): S. 1-7, http://doi.org/10.1145/3015157.3015158

Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology”. Proceedings of the Sound and Music Computing Conference (SMC) (2016): S. v, https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf

Hohagen, J. & Wöllner, C. “Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements”. Proceedings of the 13th Sound & Music Computing Conference (SMC). Hg. R. Großmann & G. Hajdu. Hamburg: ZM4, 2016, S. 222–226. https://zenodo.org/record/851235#.W5eLULh9g2w#.W5eLULh9g2w

Sevdalis, V. & Wöllner, C. “Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts”. Performance psychology. Perception, action, cognition, and emotion. Hg. M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde. Amsterdam: Academic Press/Elsevier, 2016, S. 223–234. http://store.elsevier.com/Performance-Psychology/isbn-9780128033777/

Albrecht, H. & Wöllner, C. “Metaphors and embodied meaning in film music: The case of leitmotifs”. Embodied metaphors in film, television, and video games: cognitive approaches. Hg. K. Fahlenbrach. New York: Routledge, 2016, S. 145–161. https://www.routledge.com/Embodied-Metaphors-in-Film-Television-and-Video-Games-Cognitive-Approaches/Fahlenbrach/p/book/9781138850835

Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)”. Proceedings of the 13th Sound & Music Computing Conference (2016): S. V, https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf

Wöllner, C. & Halpern, A. “Attentional flexibility and memory capacity in conductors and pianists”. Attention, Perception, & Psychophysics 78(1). (2016): S. 198-208, http://link.springer.com/article/10.3758%2Fs13414-015-0989-z

Michael Blaß. “Classifying Ethnographic Sound Archives (Abstract)”. Symposium Towards a World Music Theory (2016)

Fischer, Jost Leonhardt & Bader, Rolf & Abel, Markus. “Aeroacoustical coupling and synchronization of organ pipes”. The Journal of the Acoustical Society of America 140(4). (2016): S. 2344-2351, http://doi.org/10.1121/1.4964135

2015

Platz, F., Kopiez, R., Hasselhorn, J. & Wolf, A. (2015). The impact of song-specific age and affective qualities of popular songs on music-evoked autobiographical memories (MEAMs). Musicae Scientiae, 19(4), 327–349. https://doi.org/10.1177/1029864915597567

Kopiez, R., Platz, F., Müller, S., & Wolf, A. (2015). When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenon. Psychology of Music, 43(3), 359–374. https://doi.org/10.1177/0305735613511505

Bader, Rolf, Pfeifle, Florian, Plath, Niko, Koehn, Christian. “Measurements of friction instruments with high-speed camera and subpixel tracking”. Acoustical Society of America, 170th Meeting (2015)

Plath, Niko, Pfeifle, Florian, Koehn, Christian & Bader, Rolf. “Microphone array measurements of the grand piano”. Proceedings of the Third Vienna Talk on Music Acoustics (2015): S. 161.

Ziemer, Tim. “Spatial Sound Impression and Precise Localization by Psychoacoustic Sound Field Synthesis”. DEGA FAMA 2015 (2015), https://www.dega-akustik.de/fachausschuesse/ma/dokumente/tagungsband-seminar-fama-2015/

Ziemer, Tim & Bader, Rolf. “Complex point source model to calculate the sound field radiated from musical instruments”. The Journal of the Acoustical Society of America 138(3). (2015): S. 1936, http://doi.org/10.1121/1.4934107

Ziemer, Tim. “Localizing Swimming Objects in Noisy Environments by Applying Nearfield Acoustic Holography and Minimum Energy Method”. ASME 34th International Conference on Ocean, Offshore and Arctic Engineering OMAE2015 (2015): S. Paper-Number: OMAE2015-41733, http://doi.org/10.1115/OMAE2015-41733

Blaß, Michael & Ziemer, Tim. “Blowing Pressure Dependent Synchronization in the Zummâra”. Proceedings of the 8th International Conference of Students of Systematic Musicology (SysMus15) (2015)

Ziemer, Tim. “Simulating the lateral line with low-frequency nearfield acoustic holography based on a vector hydrophone array for short-range navigation in littoral waters (Abstract)”. The Journal of the Acoustical Society of America 138(3). (2015): S. 1897, http://doi.org/10.1121/1.4933959

Ziemer, Tim. Implementation of the radiation characteristics of musical instruments in wave field synthesis applications. Hamburg: Univ. Hamburg Diss., 2015. http://ediss.sub.uni-hamburg.de/volltexte/2016/7939/

Ziemer, Tim. “Exploring Physical Parameters Explaining the Apparent Source Width of Direct Sound of Musical Instruments”. 31. Jahrestagung der deutschen Gesellschaft für Musikpsychologie (2015): S. 40-41.https://www.researchgate.net/publication/304496623_Exploring_Physical_Parameters_Explaining_the_Apparent_Source_Width_of_Direct_Sound_of_Musical_Instruments

Ziemer, Tim & Bader, Rolf. “Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System (Abstract)”. Journal of the Audio Engineering Society 63(12). (2015): S. 1094, http://www.aes.org/journal/online/JAES_V63/12/

Ziemer, Tim & Bader, Rolf. “Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System”. Audio Engineering Society Convention 139 (2015): S. Paper-Number: 9466, http://www.aes.org/e-lib/browse.cfm?elib=18022

Wöllner, C. “Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung”. DirigentenBilder. Musikalische Gesten – verkörperte Musik. Hg. A. Stollberg, J. Weißenfeld & F.H. Besthorn. Basel: Schwabe, 2015, S. 213-232.

Michael Blaß, Tim Ziemer. “Blowing pressure dependent synchronization in the Zummâra”. Proceedings of the International Conference of Students of Systematic Musicology (SysMus15) (2015)

Michael Blaß & Christian Koehn. “Von Kolonialpolitik zu rechnergestützter Musikforschung - Die Wilhelm-Heinitz-Sammlung traditioneller Musik an der Universität Hamburg. Ein historischer und methodologischer Überblick”. Berichte aus dem Nationalkommitee Deutschland im ICTM. Hg. Dorit Klebe & Klaus Näumann. 23. Freiburg, Germany: Shaker, 2015

Michael Blaß. “Grundstein einer klangfarbenorientierten Rhythmustheorie (Talk)”. Niedersächsischer Studientag Musikwissenschaft (2015)

Michael Blaß. “A graphical representation of mutual influence in contemporary punk rock”. PUNK NOW!! The 2nd Punk Scholars Network Annual Conference and postgraduate symposium (2015)

2014

Platz, F., Kopiez, R., Lehmann, A. C., & Wolf, A. (2014). The influence of deliberate practice on musical achievement: A meta-analysis. Frontiers in Psychology, 5, 646. https://doi.org/10.3389/fpsyg.2014.00646

Wolf, A. & Kopiez, R. (2014). Do grades reflect the development of excellence in music students? The prognostic validity of entrance exams at universities of music. Musicae Scientiae, 18(2), 232–248. https://doi.org/10.1177/1029864914530394

Bader, Rolf, Pfeifle, Florian, Plath, Niko. “Microphone array measurements, high-speed camera recordings, and geometrical finite-differences physical modeling of the grand piano”. The 168th Meeting of the Acoustical Society of America (ASA) (2014)

Plath, Niko. “Acoustical Analysis of the Mexican Vihuela”. Proceedings of the International Symposium on Musical Acoustics (ISMA) (2014): S. 493-497, http://www.conforg.fr/isma2014/cdrom/data/articles/000054.pdf

Bader, Rolf. “Microphone Array”. Springer Handbook of Acoustics. 2. Hg. Thomas D. Rossing. Springer Handbooks, Berlin, Heidelberg: Springer, 2014, S. 1179-1207, http://doi.org/10.1007/978-1-4939-0755-7_29

Ziemer, Tim. “Sound Radiation Characteristics of a Shakuhachi with different Playing Techniques”. Proceedings of the International Symposium on Musical Acoustics (ISMA) (2014): S. 549-555, http://www.conforg.fr/isma2014/cdrom/data/articles/000121.pdf

Ziemer, Tim. “Towards a Lateral Line Sensor to Supplement Sonar in Shallow Water”. ASME 33th International Conference on Ocean, Offshore and Arctic Engineering OMAE2014 (2014): S. V007T05A011; 8 pages, http://doi.org/10.1115/OMAE2014-23624

Wöllner, C. “Conducting”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 246-250.

Wöllner, C. “Agency”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 30-32.

Michael Blaß. “Timbre-based Rhythm Analysis”. Proceedings of the International Conference of Students of Systematic Musicology (SysMus14) (2014), http://journals.gold.ac.uk/index.php/sysmus14/article/view/224

Fischer, Jost Leonhardt. Nichtlineare Kopplungsmechanismen akustischer Oszillatoren am Beispiel der Synchronisation von Orgelpfeifen. Potsdam: Universität Potsdam, 2014. https://publishup.uni-potsdam.de/frontdoor/index/index/docId/6958

Fischer, Jost Leonhardt & Abel, Markus. “Synchronization of Organ Pipes - Experimental Facts and Theory”. The Journal of the Acoustical Society of America 136 (2163). (2014), https://doi.org/10.1121/1.4899828

2013

Wolf, A., Wolpert, L., & Kopiez, R. (2013). Freude am Singen bei 10- bis 12-Jährigen: Möglichkeiten der musikpädagogischen Einflussnahme. Musikpsychologie, 23, 94–115. https://doi.org/10.23668/psycharchives.2913

Kopiez, R., Platz, F., & Wolf, A. (2013). The overrated power of background music in television news magazines: A replication of Brosius 1990 study. Musicae Scientiae, 17(3), 309–331. https://doi.org/10.1177/1029864913489703

Bader, Rolf. Nonlinearities and Synchronization in Musical Acoustics and Music Psychology. Current Research in Systematic Musicology, 2. Berlin Heidelberg: Springer, 2013. Springer Buch Springer Buchreihe (About) Springer Buchreihe (Titles) Springerlink (Series) Springerlink (Book)

Bader, R., Leman, M., Godoy, R.-I. (Hg.). Sound - Perception - Performance. Current Research in Systematic Musicology, 1. Berlin Heidelberg: Springer, 2013. Springer Buch Springer Buchreihe (About) Springer Buchreihe (Titles) Springerlink (Series) Springerlink (Book)

Plath, Niko. “High-speed camera displacement measurement (HCDM) technique of string vibrations”. Proceedings of the Stockholm Music Acoustics Conference (SMAC) 2013 (2013): S. 188-192, http://www.speech.kth.se/smac-smc-2013/proceedings/SMAC2013_Proceedings_online-version_updated-20141031.pdf

Bader, Rolf. “Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception”. Sound - Perception - Performance. Hg. Rolf Bader. Current Research in Systematic Musicology, 1. Berlin, Heidelberg: Springer, 2013, S. 3-41. http://doi.org/10.1007/978-3-319-00107-4_1

Wöllner, C., Ginsborg, J., & Williamon, A. “Familiarity and reflexivity in the research process”. Music and familiarity: Listening, musicology, and performance. Hg. E. King & H. Prior. Aldershot: Ashgate, 2013, S. 175-195.

Wöllner, C. “How to quantify individuality in music performance? Studying artistic expression with averaging procedures.”. Frontiers in Cognitive Science 4(361). (2013), https://doi.org/10.3389/fpsyg.2013.00361

Busch, V., Schlemmer, K. & Wöllner, C. “Erhaben, innig oder kriegerisch? Einflussgrößen bei der Wahrnehmung von Tonartencharakteren [Factors influencing the perception of musical key characteristics]”. (2013): S. 226-235.

Wöllner, C. “Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks”. Acta Psychologica 143. (2013): S. 79-87, https://doi.org/10.1016/j.actpsy.2013.02.012

Busch, V., Schlemmer, K. & Wöllner, C. (Hg.). Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].. Hildesheim: Olms, 2013.

Michael Blaß. “Timbre-based Drum Pattern Classification using Hidden Markov Models”. International Workshop on Machine Learning and Music (MML) (2013): S. 11–14. http://www.ecmlpkdd2013.org/wp-content/uploads/2013/09/MLMU_Blass.pdf

Fischer, Jost Leonhardt & Abel, Markus. “The mother tongue of organ pipes-Synchronization, experiments, numerical simulations, and model”. The Journal of the Acoustical Society of America 134, (4243). (2013), https://doi.org/10.1121/1.4831601

Fischer, Jost Leonhardt & Bergweiler, Steffen & Abel, Markus. “The Arnold-Tongue of Coupled Acoustic Oscillators”. (2013) arXiv: 1311.5797v1

2012

Wolf, A., Kopiez, R. & Platz, F. (2012). Der Status Quo der musiktheoretischen Zulassungsprüfung an Musikhochschulen: Eine testtheoretische Analyse. Beiträge empirischer Musikpädagogik, 3(2), https://www.bem.info/index.php/ojs/article/view/77/221

Bader, Rolf. “Radiation characteristics of multiple and single sound hole vihuelas and a classical guitar”. The Journal of the Acoustical Society of America 131(1). (2012): S. 819-828, http://doi.org/10.1121/1.3651096

Ziemer, Tim. “Psychoacoustic Effects in Wave Field Synthesis Applications”. Systematic Musicology: Empirical and Theoretical Studies. Hg. Albrecht Schneider & Arne von Ruschkowski. Hamburger Jahrbuch für Musikwissenschaft, Frankfurt am Main: Peter Lang, 2012, S. 153-162. http://doi.org/10.3726/978-3-653-01290-3

Wöllner, C. “Self-recognition of highly skilled actions: A study of orchestral conductors”. Consciousness and Cognition 21. (2012): S. 1311-1321, http://www.sciencedirect.com/science/article/pii/S1053810012001481

Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E. “The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors”. Journal of Experimental Psychology: Human Perception and Performance 38(6). (2012): S. 1390-1403, http://psycnet.apa.org/doi/10.1037/a0028130

Wöllner, C. “Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis”. Psychology of Aesthetics, Creativity, and the Arts 6(3). (2012): S. 214-233, http://psycnet.apa.org/doi/10.1037/a0027392

Fischer, Jost Leonhardt. Über Synchronisationsphänomene nichtlinearer akustischer Oszillatoren. Potsdam: Universität Potsdam, 2012. http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-63618

2011

Wolf, A. & Müllensiefen, D. (2012). The Perception of Similarity in Court Cases of Melodic Plagiarism and a Review of Measures of Melodic Similarity. In J. Wewers and U. Seifert (Hrsg.), Under construction: trans- and interdisciplinary routes in music research: Proceedings of SysMus 11, Cologne 2011 (S. 215-230). Osnabrück, EpOs.

Bader, Rolf. “Characterizing Classical Guitars Using Top Plate Radiation Patterns Measured by a Microphone Array”. Acta Acustica United With Acustica 97(5). (2011): S. 830-839, http://doi.org/10.3813/AAA.918463

Ziemer, Tim. “A psychoacoustic Approach to Wave Field Synthesis”. Audio Engineering Society 42nd International Conference: Semantic Audio (2011): S. Paper-Number: P2-1, http://www.aes.org/e-lib/browse.cfm?elib=15942

Ziemer, Tim. Psychoacoustic Wave Field Synthesis of Musical Sounds: Theory and Application. Hamburg: Universität Hamburg, 2011.

2010

Bader, Rolf. “Reconstruction of radiating sound fields using minimum energy method”. The Journal of the Acoustical Society of America 127(1). (2010): S. 300-308, http://doi.org/10.1121/1.3271416

2009

Ziemer, Tim. “Wave Field Synthesis by an Octupole Speaker System”. Proceedings of the Second International Conference of Students of Systematic Musicology (SysMus09) (2009): S. 89-93, https://biblio.ugent.be/publication/823807/file/6824513.pdf#page=90

2008

Bader, Rolf & Hansen, Uwe. “Modeling of Musical Instruments”. Handbook of Signal Processing in Acoustics. 1. Hg. David Havelock, Sonoko Kuwano & Michael Vorländer. New York: Springer, 2008, S. 419-446. http://doi.org/10.1007/978-0-387-30441-0_26

2005

Bader, Rolf. “Turbulent κ — ε model of flute-like musical instrument sound production”. Fractals in Engineering. New Trends in Theory and Applications (2005): S. 109-121. http://doi.org/10.1007/1-84628-048-6_8

Bader, Rolf. Computational Mechanics of the Classical Guitar. Berlin, Heidelberg: Springer, 2005. http://doi.org/10.1007/3-540-31103-3