Program

Arrivals

08.00 pm

Welcome Address; Meet-and-Greet

[T1.a] Basic Concepts and General Issues of Digital Archiving [room 5]

09.00 am	Bader	Music information retrieval phonogram archive structure
09.30 am	Louhivuori	John Blacking revisited – comparative analysis of changes in Venda music (1956 -2009)
10.00 am	Tilley	“The Higher Drum is the Bus Driver”: Exploring intersections of ethnography and music analysis in a study of Balinese arja drumming, and how digital archives could facilitate
10.30 am	Coffee Break

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[T1.b] Basic Concepts and General Issues of Digital Archiving [room 5]

11.00 am	Six	Challenges and opportunities for computational analysis of wax cylinders
11.30 am	Koehn	Integration of 'field and lab' in ethnomusicology
12.00 pm	Lunch Break

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[W1] Workshop: Data Architectures and Music Information Retrieval [room 7]

01.00 pm	Franke	Advanced archival data structures
02.00 pm	Blaß	Exploring ethnographic archives: tools and techniques for data visualization
03.00 pm	Coffee Break

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[T2.a] Ethnomusicological Archives [room 5]

03.15 pm	Dorsch, Steinmetz & Lauxen	The African Music Archives in Mainz, history, collection and the current digitization project
03.45 pm	Kob, Weege & Habsinska	How to interpret early recordings? Artefacts and resonances in recording and reproduction of singing voices
04.15 pm	Place	The model of Smithonian Folkways and the Smithonians's Rinzler Archives

[P1] Panel Discussion and Roundup [room 5]

04.45 pm

Panelists: Bader, Tilley, Koehn, Dorsch, Kob, Place, Simonnot, Azadeh, Wendt Chair: Louhivuori

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Concert

08.00 pm	Compositions by Bob L. Sturm and Oded Ben-Tal
	Ensemble Volans
	John Hughes (b)

[T2.b] Ethnomusicological Archives - Processes, Technologies, Challenges [room 5]

09.00 am	Simonnot	MIR projects and Musée de l'Homme sound archives
10.00 am	Azadeh	Persian piano music, recording and notation
10.30 am	Coffee Break
	Recital of Iranian piano music by P. Azadeh

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[T3.a] Metrology, Signal Processing, Data Networking [room 5]

11.00 am	Alexandraki	Networked Music Performance in the context of folk music
11.30 am	Benetos	Automatic transcription of world music collections
12.00	Lunch Break

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[W2] Workshops: Computational Modeling [room 8]

01.00 pm	Plath	3D-Imaging of musical instruments: methods and applications
02.00 pm	Pfeifle	Physical modeling: applications and findings
03.00 pm	Lunch Break

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[T3.b] Metrology, Signal Processing, Data Networking[room 5]

03.30 pm	Papadiogiannis	Laser-based holographic interferometry techniques for the study of musical instruments
04.00 pm	Lukashevich	Metadata cleanup and enrichment for music archives using semantic music technologies and machine learning
04.30 pm	Marchand	Spatial manipulation of musical sound: informed source seperation and respatialization
05.00 pm	Coffee Break

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[P2] Panel Discussion and Roundup

05.15 pm

Panelists: Alexandraki, Benetos, Papadogiannis, Lukashevich, Marchand, Sturm, Fischer, Kirsch Chair: Kirsch

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Concert

07.00 pm

Gamelan-Group ARUM SIH, Bremen

[T4.a] Signal Processing Applications [room 5]

10.00 am	Sturm and Ben-Tal	Evaluating generative transcription models built using deep learning
10.30 am	Fischer	Shock waves in the inital transient of an organ pipe
11.00	Coffee Break

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[Ta.b] Signal Processing Applications [room 5]

11.00 am	Kirsch	The View Inside: X-Ray and Neutron 3D Computed Tomography as a Powerful Technology for the Examination of Musical Instruments
11.30 am	Wendt	Computational investigations of the Balinese gamelan : scales and modes
12.00	Farewell