Literaturgroßbestellung in Bibliothek angekommen

16. Juli 2022, von Webmaster

Eine der Vorzüge unseres Instituts ist die Fach-Bibliothek im gleichen Haus. Normalerweise wird neue Literatur sukzessive je nach den aktuell behandelten Schwerpunkten angeschafft. In diesem Sommersemester ist es gelungen, gleich eine größere Menge von Büchern als E-Medien auf einmal zu erwerben. Damit soll auch der zunehmenden Digitalisierung des Arbeitsalltags in Forschung und Lehre Rechnung getragen werden. Inzwischen sind im KatalogPlus der Staatsbibliothek unter dem Schlagwort „music“ über 7.000 Titel von E-Medien abrufbar.

Auf die neuen Medien kann ab sofort entweder aus dem WLAN innerhalb der Uni zugegriffen werden oder nach Einwahl in das Uni-Netzwerk via VPN-Verbindung von Orten außerhalb der Uni. Über die Installation und den Verbindungsaufbau informiert das Rechenzentrum auf einer eigenen Seite  (https://www.rrz.uni-hamburg.de/services/netz/vpn.html).

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Folgende Publikationen wurden angeschafft:

Music of the Middle Ages. Volume 1, Online-Ausg., Cambridge 1984.

Early keyboard instruments. A practical guide (Cambridge handbooks to the historical performance of music), Cambridge u. a. 2001.

The early violin and viola. A practical guide (Cambridge handbooks to the historical performance of music), Cambridge u. a. 2001.

Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller (Cambridge musical texts and monographs), Online-Ausg., Cambridge 2001.

Greek musical writings (Cambridge readings in the literature of music), zuerst im Druck erschienen Cambridge 2004.

Michael Alan Anderson, St. Anne in Renaissance music. Devotion and politics, New York 2014.

Jennifer Bain, Hildegard of Bingen and musical reception. The modern revival of a medieval composer, Cambridge 2015.

Jennifer Bain (Hg.), The Cambridge companion to Hildegard of Bingen (Cambridge companions online), Cambridge u. a. 2021.

Bill Barclay, David Lindley (Hg.), Shakespeare, music and performance, Cambridge 2017.

Andrew Barker, Scientific Method in Ptolemy's Harmonics, Online-Ausg., Cambridge 2001.

Andrew Barker, The science of harmonics in classical Greece, Cambridge u. a. 2007.

Anna Maria Busse Berger, Jesse Rodin (Hg.), The Cambridge history of fifteenth-century music (The Cambridge history of music), Cambridge 2015.

Sebastian Bolz (Hg.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (Musik und Klangkultur 16), Bielefeld 2016.

Catherine A. Bradley, Polyphony in Medieval Paris. The art of composing with plainchant (Music in context), Cambridge 2018.

Benjamin David Brand, David Joseph Rothenberg (Hg.), Music and culture in the Middle Ages and beyond. Liturgy, sources, symbolism, Cambridge 2016.

Karl Breul, The Cambridge Songs. A Goliard's Songbook of the Eleventh Century (Cambridge library collection. History of Printing, Publishing and Libraries), Cambridge u. a. 1915.

Thomas Brothers, Chromatic Beauty in the Late Medieval Chanson, Cambridge, GBR 2009.

Ann Buckley, Lisa Colton (Hg.), Music and liturgy in Medieval Britain and Ireland, Cambridge 2022.

Thomas Busby, Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern. Volume 3 (Cambridge library collection. Music), Cambridge 2013.

Thomas Busby, Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern. Volume 2 (Cambridge library collection. Music), Cambridge 2013.

Thomas Busby, Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern, Volume 1 (Cambridge library collection. Music), Cambridge 2013.

Erica Buurman, The Viennese ballroom in the age of Beethoven, Cambridge 2022.

Carlo Caballero, Stephen C. Rumph (Hg.), Fauré studies (Cambridge composer studies), Cambridge 2021.

Mary Channen Caldwell, Devotional refrains in medieval Latin song, New York 2022.

Mary Jean Carruthers, The book of memory. A study of memory in medieval culture (Cambridge studies in medieval literature 70), Cambridge u. a. 22008.

Tim Carter, Francesca Fantappiè, Staging Euridice. Theatre, sets, and music in late renaissance Florence, Cambridge 2021.

Remi Chiu, Plague and music in the Renaissance, Cambridge 2017.

Victor Coelho, Keith Polk, Instrumentalists and Renaissance culture, 1420-1600. Players of function and fantasy, Cambridge 2016.

Suzanne Cole, Thomas Tallis and his music in Victorian England, Suffolk 2008.

George Herbert Cowling, Music on the Shakespearian Stage (Cambridge library collection. Literary Studies), Cambridge u. a. 1913.

Julie E. Cumming, The Motet in the Age of Du Fay, Online-Ausg., Cambridge 1999.

Lauren Curtis, Naomi A. Weiss (Hg.), Music and memory in the ancient Greek and Roman worlds, Cambridge 2021.

Daniele Daude, Oper als Aufführung (TheaterBand 62).

Joe Davies (Hg.), Clara Schumann studies (Cambridge composer studies), Cambridge u. a. 2022.

Ruth I. DeFord, Tactus, mensuration and rhythm in Renaissance music, Cambridge 2015.

Karen Desmond, Music and the moderni, 1300-1350. The „ars nova“ in theory and practice, Cambridge u. a. 2018.

Frédéric Döhl, Daniel Martin Feige (Hg.), Musik und Narration. Philosophische und musikästhetische Perspektiven (Musik und Klangkultur 6), Bielefeld 2015.

Mark Everist (Hg.), The Cambridge companion to medieval music (Cambridge companions to music), Cambridge 2011.

Mark Everist, Discovering Medieval song. Latin poetry and music in the Conductus, Cambridge 2018.

Mark Everist, Thomas Forrest Kelly (Hg.), The Cambridge history of medieval music (Cambridge histories Music), Cambridge u. a. 2018.

Iain Fenlon, Music and Patronage in Sixteenth-Century Mantua. Volume 2 (Cambridge studies in music), Online-Ausg., Cambridge 1982.

Iain Fenlon, Inga Mai Groote (Hg.), Heinrich Glarean's books. The intellectual world of a sixteenth-century musical humanist, Cambridge 2013.

Iain Fenlon, Richard Wistreich (Hg.), The Cambridge history of sixteenth-century music (Cambridge histories online), Cambridge u. a. 2019.

Mary Tiffany Ferer, Music and ceremony at the court of Charles V. The Capilla Flamenca and the art of political promotion, Suffolk 2012.

James Garratt, Palestrina and the German Romantic Imagination. Interpreting Historicism in Nineteenth-Century Music (Musical performance and reception), Online-Ausg., Cambridge 2002.

James Grier, The musical world of a medieval monk. Adémar de Chabannes in eleventh-century Aquitaine, Cambridge u. a. 2006.

James Grier, Musical notation in the West (Cambridge introductions to music), Cambridge 2021.

Christian Grüny, Matteo Nanni (Hg.), Rhythmus – Balance – Metrum. Formen raumzeitlicher Organisation in den Künsten (De Gruyter eBook-Paket Sozialwissenschaften 30), Bielefeld 2014.

John Dickinson Haines, Eight centuries of troubadours and trouvères. The changing identity of medieval music (Musical performance and reception), Cambridge u. a. 2004.

Jane D. Hatter, Composing community in late medieval music. Self-reference, pedagogy, and practice (Music in context), Cambridge 2019.

Jörn Peter Hiekel, Wolfgang Lessing (Hg.), Verkörperungen der Musik. Interdisziplinäre Betrachtungen (De Gruyter eBook-Paket Sozialwissenschaften 5), Bielefeld 2014.

Emma Hornby, Music and Meaning in Old Hispanic Lenten Chants. Psalmi, Threni and the Easter Vigil Canticles (Studies in Medieval and Renaissance Music 13), Suffolk 2013.

Axel Körner (Hg.), Italian Opera in Global and Transnational Perspective. Reimagining Italianità in the Long Nineteenth Century, Cambridge 2022.

Bastian Lange, Hans-Joachim Bürkner, Elke Schüßler (Hg.), Akustisches Kapital. Wertschöpfung in der Musikwirtschaft (Kultur- und Medientheorie), Bielefeld 2014.

Elizabeth Eva Leach, Helen Deeming (Hg.), Manuscripts and medieval song. Inscription, performance, context (Music in context), Cambridge 2015.

Yossi Maurey, Medieval music, legend, and the cult of St. Martin. The local foundations of a universal saint, New York 2014.

James W. McKinnon (Hg.), Music in early Christian literature (Cambridge readings in the literature of music), Cambridge 1987.

Danuta Mirka (Hg.), The Oxford handbook of topic theory, Oxford 2014.

John Morehen (Hg.), English Choral Practice, 1400–1650 (Cambridge studies in performance practice 5), Cambridge 1996.

Luisa Nardini, Chants, hypertext, and prosulas. Re-texting the proper of the mass in Beneventan manuscripts (Oxford scholarship online), New York 2021.

Nancy November, Beethoven’s symphonies arranged for the chamber. Sociability, reception, and canon formation, Cambridge 2021.

Lars Oberhaus, Christoph Stange (Hg.), Musik und Körper. Interdisziplinäre Dialoge zum körperlichen Erleben und Verstehen von Musik (Musik und Klangkultur 20), Bielefeld 2017.

Christopher Page, The guitar in Tudor England. A social and musical history (Musical performance and reception), Cambridge 2015.

Henry Parkes, The making of liturgy in the Ottonian church. Books, music and ritual in Mainz, 950–1050 (Cambridge studies in medieval life and thought. Fourth series 100), New York 2015.

Gretchen Peters, The Musical Sounds of Medieval French Cities. Players, Patrons, and Politics, Cambridge 2012.

Hilary Poriss, Gioachino Rossini’s The Barber of Seville (Oxford keynotes), New York 2022.

Susan R. Rankin, Writing sounds in Carolingian Europe. The invention of musical notation (Cambridge studies in palaeography and codicology), Cambridge 2017.

Owen Rees, The Requiem of Tomas Luis de Victoria (1603) (Music in context), Cambridge 2019.

Eric N. Rice, Susan Boynton (Hg.), Young choristers, 650–1700, Suffolk 2008.

Fraser Riddell, Music and the queer body in English literature at the fin de siècle (Cambridge studies in nineteenth-century literature and culture 137), Cambridge u. a. 2022.

Stephen Rodgers (Hg.), The songs of Fanny Hensel (Oxford scholarship online), New York 2021.

Jennifer Saltzstein, The refrain and the rise of the vernacular in medieval French music and poetry (Gallica 30), Woodbridge 2013.

Catherine Saucier, A paradise of priests. Singing the civic and episcopal hagiography of medieval Liège (Eastman studies in music), Rochester 2014.

Katelijne Schiltz, Bonnie J. Blackburn, Music and riddle culture in the Renaissance, Cambridge 2015.

Oliver Seibt, Der Sinn des Augenblicks (Studien zur Popularmusik).

Laurie Stras, Women and music in sixteenth-century Ferrara (New perspectives in music history and criticism 28), Cambridge 2018.

Richard Taruskin, Christopher Howard Gibbs, The Oxford history of Western music, New York 22019.

Benedict Taylor (Hg.), The Cambridge companion to music and romanticism (Cambridge companions online), Cambridge u. a. 2021.

Benedict Taylor, Music, subjectivity, and Schumann, New York 2022.

René Thun, Der Klang der Vernunft. Eine Philosophie Neuer Musik (Musik und Klangkultur 21), Bielefeld u. a. 2017.

Sebastian Virdung, Beth Bullard (Hg.), Musica getutscht. A treatise on musical instruments (1511) (Cambridge musical texts and monographs), Cambridge 2007.

Blake Wilson, Singing to the lyre in renaissance Italy. Memory, performance, and oral poetry, Cambridge 2020.

Linda Marie Zaerr, Performance and the Middle English Romance, Suffolk 2012.